PLCGDXM

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AQUAMAN | MA/HD | $5

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CMCSA - How to get your money back from Satan.

[pi] The Devil Is In The Details

Inspired by: [WP] As you successfully summoned the Devil himself, he promised to grant you any wish for your soul as payment. He wasnt prepared for you to say "I wish you can make up with God".
Lucifer blinked, certain he’d misheard. The child who didn’t look old enough to spell his name looked up at him from where she stood at the head of her salt drawn pentagram. “It-it’s not that easy,” he stammered, looking for an adult that he could have a reasonable conversation with.
“But you can do anything,” she insisted. “So why can’t you do this?”
Lucifer lifted a hand, then dropped it at his side. “Why is this so important to you, kid?”
“Whenever I have a fight at school, Miss Gradel makes me sit down and talk to them. I don’t like it, but she says we have to.” She lifted her chin to look up at him. “And if I have to, so do you.”
Lucifer’s shocked features melted into understanding. “Ahhh, I see,” he purred. “Misery loves company. You know I coined that phrase, right?”
“What?”
Lucifer closed his eyes. This kid summoned him from his Casino chain in Vegas to … wherever in the world he was, by using a complicated ritual involving incantations that most of this world’s people knew nothing about, but she didn’t know what it meant to coin a phrase?
“How about I get you a winged pony, kid? One that sits in your pocket and breathes fire and eats the kids you fight with. Then you won’t have to sit through Miss Gradel’s interventions anymore.”
The girl looked thoughtful, and Lucifer believed he had a winner.
“You’re scared of him.”
Ahhhhh….what? “Nooooo,” Lucifer insisted.
“Yes, you are. He’s your Dad and you had a big fight with him, and now you aren’t talking anymore. I still don’t like Miles Tooley, but after we were made to talk, I found out he was a bully because his dad was. And that got me thinking. What if there’s something in God’s past that you don’t know about? Something that stops you two from being close.”
Lucifer chuckled and looked at the ceiling overhead. “Kid, The Almighty is an open book, and as his creations, we all play our part. Mine is to be the black sheep that can never go home. Without me, people have no reason to follow his word. I was banished, kid. Do you get that? It's pretty hard to kiss and make up if I’m not allowed back and he never leaves.”
“So, you’re stuck here?”
Lucifer shrugged. “It’s complicated.”
“But you promised me anything I wanted.”
Lucifer raked his fingers through his hair. “Okay, kid. I’m not supposed to do this, but I really need you to rethink that promise before it gets us both killed. You look like a very smart young lady, so tell me if I’m going too fast for you.”
He took a deep breath and continued. “I don’t really run Hell. It’s all a giant shell game of the higher-ups. A deal Dad struck with the real masters of Hell a long time ago, back when Uriel and I were friends. I’m just a figurehead who got in over his head and our fathers came to this solution. I screwed up and cost Hell a chunk of their lost souls … that they weren’t using,” he added quickly, knowing that defence hadn’t saved him all that time ago when he was brought back to Heaven in chains amidst the very angry Highborn Hellions. “And a deal was struck between them. I had to pretend to rule Hell so that evil-doers had somewhere other than Heaven to go.”
Lucifer looked down at her wide eyes and wondered if he had already said too much. But, as the saying went, what the hell. He kept going. “And Hell got the double bonus of extra souls to torment and all the power that came from the belief that I ruled Hell.”
“That’s not fair.”
Lucifer’s laugh was hollow. “That’s the point, kid. The Highborn Hellions don’t do anything fair. The deck is ALWAYS stacked in their favour.”
“What would have happened to you, if this deal wasn’t made?”
Lucifer blinked again. He had never really thought about that. “I’d be dead, I guess,” he said.
The little girl smiled. “Then Heaven did get something else out of it. The Almighty got to keep you, even if he had to send you away afterwards. You lived, after making a mistake that should have killed you.”
Lucifer turned away from her, staring at the brick wall of the girl’s basement. Is that even … no, he told himself. No … noo … He hates me. That’s why he exiled me. Salvaging a deal out of that screwup was a bonus. Getting rid of me was intentional because he hates me for not being like the rest of my rim-licking, goodie-two-shoes brothers and sisters.
It was a mantra that had served him well since his exile. He could feel better about it if he hated them first and more.
“Maybe you’re right,” the girl said, causing him to look back over his shoulder at her. “You can’t make up with someone who already loves you so much he sent you away to protect you.”
Lucifer swallowed. He didn’t want this. He didn’t want to think as she did. But now that the nugget had been placed in his mind, he could feel it already growing. “Kid, do you mind if we pick this up another time?” he asked, no longer wanting to be there.
“Will you come back if I call?”
“Do you know how to toss a coin?” he asked.
When the girl nodded, Lucifer flicked her a very special coin. “Flip this in the air, darlin’,” he said. “I’ll be back before it lands to continue this talk.”
The girl turned it over and over in her hands. “Promise?”
“Devil’s honour,” he said, curling his fingers into the hellion sign that over recent decades had become a rock symbol. More lies to feed the machine.
Two steps later, Lucifer had teleported himself back to the biggest of his casinos in Vegas. He went to the drinks cabinet that lined a wall and took down a bottle of Macallan ’52 and broke the seal on it. Then he walked out onto his balcony that overlooked the strip, though it wasn’t the bright lights that drew his attention.
No, as he tipped the bottle to his lips, his eyes went to the night sky overhead.
* * *
((All comments welcome))
For more of my work including WPs: Angel466 or an index of previous WPS here

In Theaters Near You: An In-Depth AMC Analysis [Response to CNBC] [DD] 🚀🚀🌕

THANK YOU MODS FOR LETTING THIS THROUGH!
Please click HERE for the PDF version if you would like to download the dd.
(credit: research compiled by IG:@wydstockbros)
To get things started, I'm not a financial advisor, I'm not a bot, and this one goes out to you, Chamath.
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tl;dr
AMC is the global leader in a $17 billion dollar industry that’s been beaten senseless to the ground with so much room to run. After pioneering deals with streaming services, buying out their competition, and upgrading their facilities worldwide, 80% short interest is highly inappropriate for its TRUE fundamental value — $69.69 a share.
🚀🚀🚀🚀🚀🚀$AMC TO $69.69🚀🚀🚀🚀🚀🚀
🚀🚀🚀🚀🚀🚀$AMC TO THE MOON🚀🚀🚀🚀🚀🚀
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"I'm questioning whether they[WSB] are actually doing the research when it comes to things like GameStop and AMC ..." - clueless CNBC dude.
I fuckin miss movies. And when I say movies, I mean the whole damn experience. I wanna buy my $15 popcorn, pour an ungodly amount of butter and jalapenos on that shit and munch in a recliner seat watching in laser 4k quality. I like this company. I like this stock.
For the past few days, I've been scouring Google for news articles and company data. I've also been trying to find some detailed DD in here but they’ve all been pretty limp-dick when it came to AMC. And most of the news articles I've read were surface-level AT BEST with a grim outlook based on first-glance analysis. Guess these analysts are just too damn lazy to dig deep.
Because when we dive into these issues, we can easily see that the theater giant may not be in as bad a situation as the media/analysts are claiming.
In fact, I believe that AMC is absolutely misunderstood, overlooked, and undervalued.
Here is why I am more confident than ever that $AMC will not only reach $30 but is in the perfect setup to see ATHs and WELL ABOVE.

I. Ugly Start, Beautiful Setup

Chances are if you are currently holding a significant position in $AMC, then most likely you've already read up on the company and its current standing in the cinema industry. You've probably read about how the corporation has nearly $5 billion dollars worth of debt with many of its locations still closed as the pandemic remains a global issue. You may have realized that new movies haven't been coming out. But more than that, you're seeing that movies are just being released on streaming platforms anyway. You might be concerned for AMC, or even the industry as a whole.
All of these concerns are very valid and based on real uncertainty, but let's break down each of these points and see if they’re as bad as analysts claim.

II. A Discussion on Debt

Media outlets keep honing in on this debt like it’s an ugly scar of the corporation. But what we need to focus on is why that debt came to be, how the money was spent, and how this debt was a strategic play in order to cement AMC into the new era of cinema-streaming.
We can categorize the money used into four parts:

New equipment and amenities
Lease payments
Maintenance costs (utilities, wages, etc.)
Expansion (buying out the competition)

Pay close attention to the last category because this one is important. Over the past five years, AMC has been acquiring smaller theater companies like Odeon. After buying out these companies, AMC then had to suit its "new locations" with the standard luxury amenities AMC is known for. This makes for a significant bulk of their debt totaling over $3 billion in just acquisitions. This was the investment that helped solidify AMCs spot as the world's largest cinema chain.
On the topic of maintenance costs, AMC managed to raise enough money to get through 2021. With ongoing news of vaccines, we can hope their efficacy leads to a speedy reopening near mid-late 2021. But when the economy does reopen—and AMC is back at full operation—what will it look like?

III. The Future of AMC

There's an elephant here.. right in this very room. Yes, streaming and cinema have had some serious beef in the past. In fact, some cinema chains are having tensions with streaming to this day. But what has AMC done in regards to streaming? They were the first to settle deals in order to partner up and take part in streaming revenue.
Yup, you read that right. AMC is both having their cake and eating it too.
Why would motion picture companies do this? Why not just end the cinema industry? To put simply, analysts are deeply underestimating the value of the "cinema experience". Just as I mentioned in the intro, I miss the cinemas. But I am definitely not alone. But let's not talk about me and the hypothetical "people'', instead let's talk about research studies.
In a 3-year study done in Korea, researchers found that shortening the window of cinema exclusivity and releasing movies on streaming early did not have a significant effect on ticket sales. And though this is a limited study done outside of the US, remember that AMC is a global corporation and these results have a hopeful outlook for the future relationship of cinema-streaming for AMC worldwide.
"But wait, you still haven't mentioned what streaming gets out of this?"
It's not what streaming "gets out of this" but rather what these motion picture companies maintain in keeping a healthy relationship with cinemas. During the peak heat of the movie theater-streaming feud, AMC halted the showing of Trolls and vowed to never show a Universal Pictures film in its theaters again if they were to continue releasing their films on streaming platforms without a proper cinema-exclusivity window. But today, we can see that the tensions have fallen and both motion picture companies and AMC have found a way to mutually benefit each other.
Now besides streaming, AMC has been investing in luxury amenities as seen by their chairs, 4K laser projectors, MERV air filtration, and ultra-surround sound speakers. With so many locations and so many amenities, they are offering full theater rentals with high demand during the pandemic. AMC has further cultivated their century-old movie experience into modern times. And this pandemic didn’t just change their amenities.
They had to learn how to cut costs and have more efficient operations in order to survive. This only spells good news for when they emerge with better operations, more money to spend, and higher valuations. So that begs the question, how high can the company's share price go realistically?

IV. Valuation

First, let's look at the Movie Theater industry as a whole in comparison to a few other popular entertainment industries:
Movie Theater US Market Size $17.1 billion
Casinos US Market Size $15.7 billion
Amusement Parks US Market Size $14 billion
Music Label Music Production US Market Size $9.4 billion
Music Publishing US Market Size $7 billion
In the world of entertainment, cinema is a very lucrative business.
And, again, who is the largest movie theater chain in the world? Yup, AMC.
Clueless CNBC dude mentioned that we retail traders don't trade with a fundamental reason but is there a fundamental reason in shorting a $17 billion dollar industry GLOBAL leader down to its grave? Does AMC deserve to die? I surely don't think so.
Now I won't touch upon squeezes in this since I'm sure many of you folk have already read/heard enough about them, but I will leave this quick intuitive article about it. And yes, these shorts can and will be squoze once we have faith in our upper valuations and investors(we) begin buying again.
And buy again we will. As many users flee limp-dick Robinhood and join one of the real brokerages, their positions/funds will be settled and ready to trade come next week. Where do you think these angry RH refugees will be putting their investments? That's right, exactly into the positions that RH stopped them from buying last week: which includes $AMC.
If you were part of the RH user base and your plays were affected by the blatant market manipulation, it's not only "not too late", but I believe it is an opportune time to BUY.
How high can it go then? When will I know it's too late to take a position?
So when we talk about valuation, many people fear the uncertainty of a stock rising far past its current value. Well, I think Chamath Palihapitiya said it best:
"Everybody that bought that stock is also underwriting how they want to own it."
In our current price-action environment, it's not too ridiculous to see how we are forming the foundations for AMC to continue rising beyond ATHs. We are already hitting nearly $16 on the day and rallying +53% while enduring heavy trade restrictions. Who's to say that this passion cannot continue? Now I’m no expert and can’t tell you how high this can go, but I am personally eyeing $69.69 as a target.
With so many current factors at play including hype, short covers, and ITM options having to be exercised, this is actually the BEST entrance to manifest its ATH valuation and chart some never before seen territory in its price action. It's like the manifest destiny of stock valuation. In fact, we may never see this opportunity for AMC again if we don't act now and solidify its value upward.
At the end of the day, prices are what the buyers/sellers settle upon so WE can pioneer that value if we damn well please. This is what a free market is all about.
Will there be people that disagree with this?
Sure.
Will people continue to short AMC as it goes up?
Absolutely.
Do I think that AMC being shorted 80% and rising is fair?
Really? See section III.
But institutions are selling off! Like Silver Lake liquidating their 44m shares.
Yes, then the next day $AMC dipped to $7.50 and has since recovered… with AMC $600m less in debt.
We all know who is shorting AMC, and I am sick of these hedge funds who think they, alone, can decide whether or not a company is worth a damn.

V. Conclusion - Resurgence

We are at the cusp of AMCs resurgence. Because most of us have been kept from participating in social activities, we can better understand that the public is yearning for a sense of normalcy. Sure we've gone pretty far with just watching movies on our TVs or computers through the pandemic, but that doesn't scratch the itch for many folk.
What you're investing into when you invest in AMC is the entire experience in tandem with its new streaming deals. And having been beaten so low—while still holding such great fundamental prospects— its share price is ready to blow up.
In the future when “The Deep Squeeze” is turned into a movie, we’ll be a part of history.
And you’re going to want to see it on the big screen.
--
Position: $50k in calls and shares
🚀🚀🚀🚀🚀🚀$AMC TO $69.69🚀🚀🚀🚀🚀🚀
🚀🚀🚀🚀🚀🚀$AMC TO THE MOON🚀🚀🚀🚀🚀🚀

An Average players Honest Review on each Gamemode

This is my opinion on every gamemode. Obviously it is just my opinion so keep that in mine, but I have played enough of every gamemode to give a pretty honest feedback on every one. I am a player of 6 years, have 4 golden heroes, 5000 MMR Battleground, 12 wins in arena and been rank 1 many times in diamond. So I do have experience on alot of these gamemodes:

Standard:
Pros:
1: It has alot of different decks constantly changing the Meta: I feel like standard feels really fresh compared to some of the other gamemodes. Most classes are playable and each expansion and rotation has an impact on the meta game (unless the expansion is really bad). In year of the phoenix I think most classes have had a chance to shine at least once which means it has been good to play around with different decks and climb the ladder with different heroes.
2: It has balances patches frequently: Another positive is compared to most gamemodes it does have frequent balance patches. It a card or a class gets too overpowered they do balance it within a week or two which is reasonable quick.
3: You do not have to play around everything: Even if cards are generated randomly, it feels like there is less to play around than lets say wild. It is nice to have an idea of what kind of things your opponent could discover or get randomly, even if sometimes it can be hard.
Cons:
1: It only takes one card to warp the meta game: Just look at Bogspine knuckles as an example, That one cards wrapped the meta and now cheese paladin with High Abbess Alura has taken it's place. Having one card more powerful than the other's can lead to one class dominating for large periods of time.
2: It can get stale: Even with the balance patches, Standard has periods which do feel pretty dull half way through expansion cycles as there is less to play around with.

Wild:
Pro:
1: You can play with ALL Your cards: You are not limited to only playing with the newest cards and can enjoy your full collection. If you play wild you may even choose not to craft whole new expansions and only focus on a few cards to slot into your already wild decks, which means you can save gold for other things!
2: A lot more decks to play and try: You can explore more in wild as you have more decks to try out. Wild allows you to try all kinds of decks and combinations with new and old cards for each class.
3: The Combo and Meme potential: Just look at all the different combos and memes you can try in wild! turning your opponent into Ragnaros to kill them, Shooting infinitive fireballs, Using shutterwock with Armor vendor to hold your opponent hostage. Alot of cool and crazy interactions to try.
4: More Hero cards: I am a bit bias, but I like hero cards. It is nice to have more of them in wild like the Death knights to try. I do think they do warp meta games a bit and would probs not work as well in standard, but fun to try them all in wild.
Cons:
1: The Mana cheat is unreal! The Mana cheat in wild Can be brutal. Cheating our huge minions in big priest, Zero mana secrets in mage, Having 5/5 worth of stats on turn 1 in aggro decks and zero mana spells. Wild can be a scary place if you do not know how to counter them.
2: Broken classes stay broken: Getting a balance change in wild is very rare. So the top classes like Darkglare warlock, Secret Mage and Raza priest will ALWAYS be the best classes.
3: You can't play your favorite old decks and win: I think iksar's tweet about "Wild being the place you can play your favorite old decks" is simple not really true. Yes you can play them, but your chance to winning is significantly lower.
4: You can't play around everything: With over twice the amount of cards in wild, It makes is much harder to play around everything, decks like casino mage can lead to games where you are playing against 20 random mage spells which can feel a bit crazy (in a bad way)!

Battlegrounds:
Pros:
1: It is super fun and each game feels different: It feels like a fun gamemode to play as most games do end up playing out different depending on which hero you choose! I enjoy all the different play styles and builds you can make.
2: Has many mini expansions throughout the year: Battlegrounds have many mini expansion and new minions and heroes being added, which does help keep it really fresh.
3: Your decisions can matter: I think battleground has very interesting decision making opportunities like which minions you want to attack first and what minions to buy. This helps make the game feel fresh as each game is a bit different.
Cons:
1: No rewards/cosmetics: One of the biggest cons is the game mode feels like you don't really achieve anything. You do not get card backs or golden battleground heroes which feels like after playing all you can get to really show is either an achievement you have to work for or MMR. I think adding a card back or something could be a good idea in a future update.

Duels:
Pros:
1: It is a dungeon run: Another bias point, but I love dungeon runs and having a gamemode where you can play a dungeon run against other people is pretty cool.
2: Lots of treasures to play around with: I enjoy the fact you can build a starting deck around a treasure and hero power. It seems a bit more personalized than a normal dungeon run as you can build it instead of having a starting deck made by blizzard.
3: A free mode to enjoy: The casual mode is a good touch. Being able to test out decks and treasures before committing any gold or tavern tickets is a good thing.
Cons:
1: It is behind a paywall: If you want the actual crazy treasures and hero powers you have to buy tons of packs to get cards which I feel is a bit rubbish for a gamemode.
2: Some heroes, Passives and treasures feel oppressive: The zombie passive is an example of how mental some passives can be. I think some classes just shine more in the gamemode than others.
Arena:
I forgot this was a mode and have not played it in 2 years so can't say anything apart from IT NEEDS A HUGE CHANGE as it feels like playing curvestone.
What do you think of my review?

(Selling) SNYBUFF | 4K: Batman:SoTD, Brightburn, Hobbit/LoTR Tri, ID, KongSI, MazeRunner1/2, Sandlot, Stuber | HD: BadBoysTrio, BigShort, Blumhouse10Coll, BuddyGames, Focus10Coll, GodfatherCoda, Illumination10Coll, JJR, SpaceJam, Tolkien | MANY TV SHOWS, PIXAR, SW, DISNEY, DC, MARVEL & LOTS MORE!!!!

I take Venmo, Paypal, ApplePay, GPay, CashApp -- If you use CashApp for the first time if you use my referral then you will get $10 as well https://cash.app/app/PLCGDXM

WILL MAKE DEALS IF YOU ARE BUYING MORE THEN 2 ITEMS! I WILL GET BACK TO EACH PERSON

PLEASE PLEASE PLEASE AFTER A SUCCESSFUL TRANSACTION, PLEASE TAG ME & BOT TO GET CREDIT FOR THE TRANSACTION! :)

SNY BUFF MOVIE = $5 EACH (HAVE 4)

4K MOVIES/COLLECTION

MOVIES:

TV SHOWS:

DISNEY ANIMATED & LIVE

PIXAR

DC COLLECTION

MARVEL

STAR WARS

Absolute pickme GARBAGE on The Guardian today

"Couples on Surviving Trauma and Loss: Five partners whose love has endured seismic changes, from refugees forced apart by war to a couple left with horrific injuries"
The first two stories in the article are legit: a couple in a terrible car accident and a couple separated by the Sudanese civil war. Then things start going to hell and get worse and worse. All of the things that FDS warns against are here: codependency, gaslighting, lying, cheating, excuse-making, blame shifting, martyrdom. Women continue to be conditioned to accept sub-par treatment by these kinds of narratives. The ladies of FDS refuse to help relationships "survive trauma" that is LITERALLY CREATED BY THE MAN IN THE RELATIONSHIP AND HIS SELFISH AND OVERALL TERRIBLE DECISIONS.

‘I was in prison for 2,192 days; she wrote to me almost daily’

Laure, 58, and Jerry, 62, survived his jail sentence for causing death by dangerous driving. They live in Alabama, and now run a support network for the families of prisoners.
Laure Jerry and I met in 1995 and married four months later. I tell him all the time I would marry him again, but faster. We’d both been married twice before and dating was the last thing I was looking for. But he ticked all the boxes.
I had two daughters and he had one. We moved our family from Tennessee to Alabama, to raise them in the country. We were living the dream. But on 17 March 2003, it was shattered when Jerry caused a head-on car collision which killed a young mother. He had been driving drunk.
I felt rage, betrayal. When we met, we were both recovering alcoholics, so I had only known him sober. Now a life had been lost. I didn’t want him dead, but I wanted him to hurt real bad. We lived in a small town, and I grieved for that family. I felt embarrassment. I had to get to the forgiveness part quickly so I could get through each day.
Jerry spent 10 days in the ICU. He pleaded guilty to manslaughter and was sentenced to six years in prison and 19 on probation. I was scared – emotionally, practically, financially, spiritually. I wanted to stay married but didn’t know how. I didn’t know what you do when someone you love is in prison.

His first year home, we argued all the time. I’d put my hand on his shoulder and he’d push it away

I wrote to him almost every night. I could afford one dollar-a-minute phone call a week and petrol for the 100-mile drive to visit every two weeks. I felt a lot of anger in those first years. I remember burying the cat, crying, saying, “This is a dad job.” I tried to experience the girls’ graduations for both of us.
His first year home, we argued all the time. I’d put my hand on his shoulder and he’d push it away; he was still in survival mode.
We’re grandparents now and enjoy our family immensely. We run a support network for prisoner families, called Extended Family. I started it six months into his sentence.
Jerry will still say, “You stayed with me all those years,” but I don’t think of it that way. I’m not going to make him do the dishes for the rest of our lives. We spent six years without each other; we don’t want to spend another minute apart.
Jerry On our first date, I took Laure and her daughters to see Cinderella at the theatre. When I got home, I wrote “She’s the one” on the back of the programme.
We had a good life. I had a small engineering business, work grew busy, and we moved cities. But I was in a mess. I got into narcotics but hid it from my family. The night of the accident, I had stopped at a liquor store. I was in a blackout. Moments later, a young woman was dead and I was airlifted to hospital. I was shocked, remorseful, disheartened.
My wife has a big and kind heart. I tried to protect her from the police investigation and the likelihood of prison. I didn’t want our girls walking around with the stigma of a dad who had killed someone.
In Alabama, incarceration is uncontested grounds for divorce, but there was never a question of Laure leaving me. On an early prison visit, I told her I wouldn’t blame her if she wanted to leave. She looked at me and said, “I’d be more miserable than I am now.” I’ll never forget it.
I was in prison for 2,192 days and she wrote to me almost daily. There were guys that got nothing. I felt blessed and honoured. She would arrive every two weeks and I would put on a smile. But I pitied myself; I felt useless, unable to provide for my family.
When I came home, I was harsher than before. Meanwhile, this woman I loved had blossomed. I had to adjust. There’s a not a day that I don’t pay for my disastrous decision in some way, shape or form. We worked through the mess I made together, and we’re closer because of it.

‘It was a form of gaslighting. He led a double life’

Keith, 59, and Claire, 57, survived his gambling addiction. They live in Sussex.
Keith Claire and I had known each other in the 80s, and reconnected online 20 years later. Claire was living abroad, and I was on my way to broke. She’d make short trips to the UK, and we’d laugh through days out and long lunches. She was intelligent, full of life; a better person than I was.
I first entered a casino at 16. By 18, I’d borrowed, conned and stolen from everyone I knew. I was an addict. Through adulthood, I’d made and lost small fortunes and entire businesses. I’d play Monopoly for real money, or sit in a room of the club I owned, drinking brandy, snorting as much cocaine as I could.
I wasn’t a constant drug user or gambler. When Claire visited, I’d try to keep it together; but then I’d get desperate and make excuses to go to London for “work”. When she moved to the UK with her three kids in 2009, I’d disappear into a room of the home we shared for days, in a heady state of gambling, drugs and porn, too embarrassed to re-emerge. I had intermittent spells in Gambling Anonymous, but I found it hard to ask for help.
Claire paid for the house and put food on the table. I never stole from her, but I’m still surprised she didn’t walk out. By 2014, I’d had a heart attack and was nursing my mother, who had cancer. I would drive her to the hospital every day, off my tits, bring her home, make her food, then shut myself in another room and gamble online.
I couldn’t see myself in the mirror any more. I wanted to die. On 28 June 2014, I logged on to a website for people seeking affairs and used it for porn. That decision would almost end us: when Claire discovered the website in her search history, she sent me a Dear John letter. The next day, she drove me to residential rehab. The only rule I broke there was asking her to spend one night. I had to save the relationship.
I’ve been clean for six years now; Claire is part of the reason why. People talk about languages of love. For me those are quality time, acts of service. Boy, were there acts of kindness and service from Claire. Without her, I could well be dead.
Claire I was 18, and a poor student, when I first met Keith. He seemed glamorous, exciting, funny, intelligent. He was also a known gambler, but when we reconnected years later, that appeared to be in his past. Yet, with hindsight, nothing about the start of our relationship makes sense.
When I visited, he’d urgently have work or disappear into a room for days at a time. I’d spend hours on edge, struggling to trust him, but he would rationalise his behaviour, omitting huge details, claiming he’d simply drunk too much. It was a form of gaslighting. He led a double life.

When Keith decided on residential rehab, I knew that if I didn’t support him, there was no future

The first time I confronted him, I’d found an empty drugs packet, but he lied his way out of it. I became scared to ask, although we both knew he needed help. When his mother was unwell, he had the perfect alibi. He was an addict but he was responsible – and he took exquisite care of her. I was fearful but I had to get on with life.
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When Keith decided on residential rehab, I knew that if I didn’t support him, there was no future. I didn’t want significant time apart, but when an addict is serious about making changes, you have to put your own needs aside.
The most soul-destroying moment came when I found the affairs website. I had been betrayed by gambling and drugs, but my belief in the purity of our love had kept me going. I wrote to him saying it was over. From rehab, Keith proved to me it was only curiosity (there was no activity on his account), and I was open enough to reconciliation to visit him.
Emotionally, we’re more independent now, although we share bank accounts and he supports us financially. I’ve grown, too. I used to tell friends that Keith felt like an addiction to me. I’d waited years for a stable home life together: eventually, he walked the most difficult path in order to truly change.

‘Friends saw us as the perfect couple, but it was a lie’

Maryam, 31, and Amir, 33, survived his affair. They live in California.
Maryam When Amir had an affair, I had a thousand reasons to leave but looked for the one to stay. Our relationship had started as an affair, too. We had been couple-friends in our previous marriages and used to hang out as a group of four. Then, in February 2017, Amir and his wife broke up and he came on a trip with my husband and me. One night, we were up late, talking, while my husband slept. Amir opened up about his marriage and I began to sense he had feelings for me. I had relationship problems, too, and we started an affair. I ended my marriage.
Over the next 18 months, friends came to see us as the perfect couple. They would comment on how loving our relationship was. But I couldn’t forgive myself for how we’d started, and his divorce was a mess. He spent nights with his ex. I broke up with him several times. Things looked great on the surface but we both carried unresolved pain.
By the end of 2019, I became suspicious of his relationship with a co-worker. She was too intimate at the Christmas party and he was jumpy when she called. Then I found a credit card charge to a cafe, clearly for two people.

I loved him deep down but anger overwhelmed me. He asked over and over for a chance to prove he could change

It took me 10 days to get the full details from him. It had been going on for months and they’d slept together six times. I couldn’t breathe; I felt stupid. Everything that had gone before felt like a lie. I left him.
Amir telephoned non-stop and showed up at my parents’. I loved him deep down but anger overwhelmed me. He asked over and over for a chance to prove he could change. Eventually, I agreed to give him three months. We started individual and couples’ therapy and talked through every detail of our relationship. I couldn’t bear to sleep in the same room as him, but I could look at his face again. I agreed to more time.
I see the consistency and changes Amir has made, his commitment. When I discovered his affair, I was ready to give up on our relationship, but we have both grown. No one knows what the future holds and I have my fears. But, right now, I love the way he loves me.
Amir Maryam was the first time in my life I felt real love. But we were both married and I told myself it couldn’t happen.
As time passed, my ex-wife had an affair and my marriage died. Maryam had problems, too, and I made my feelings known. I admired her looks, the way she thinks. This wasn’t a game that I’d started; it was coming from the bottom of my heart.
I was born in the Middle East, in a war zone. As a child, I experienced sexual and physical abuse at the hands of my teacher, but told no one. The human psyche finds soothing mechanisms to alleviate pain. For me, that was sex.
I was in the most loving relationship with Maryam. The sex was amazing. We bought a house, enjoyed travelling. But the foundations were shaky and I unconsciously sought more.
When I got close to a co-worker, it turned into an affair, starting in May 2019 and lasting several months. It was pure sexual desire. This wasn’t someone I wanted to change the course of my life. We were opportunistic and, in those moments, I became blind to the consequences.
When Maryam found out, I tried to lie. I was naive about how much I was going to hurt her. She wanted nothing to do with me. She blocked my calls and texts, and told our family and friends all the details. Everyone who loved me looked at me as a monster. For the first time in my life, I started to wake up.
I made fixing myself and our relationship my only priority. I promised Maryam she would see a change, and started intense therapy, twice a week. I addressed my childhood trauma and sought support for sex addiction. I realised how much I was willing to do for Maryam.
At the beginning, it was simply about keeping Maryam; but it transformed into strengthening our bond. She has made sacrifices for me, been my guide and love. Every day, I’m more appreciative.
https://www.theguardian.com/lifeandstyle/2021/jan/30/couples-on-surviving-trauma-and-loss

What things turn a game into a world?

TL;DR
I created a laundry list of high-level tenets that drive the game design of specific genre I coined the World game based on Brad's famous quote. These aim to be applicable to any game that would scratch my old school MMO itch.
What tenets would you choose?
Preamble
The MMO community is, to some degree, divided by the different expectations and desires of its player base. Even an MMORPG can mean so many things to so many different people. I wanted to get to the root of what a good MMO is to me, and in the process, I found that the ambiguous label of MMO is likely getting in the way.
Passionate players across the board seem to complain about the same issues. Ease of difficulty. Cash shops. Single-player focus. Theme park design. Players of these games either leave the genre, ultimately disenchanted with the thin veil over Skinner box design, or they continue to search for something better, because they know it is possible. Maybe this is intentional. Developers piggy back on the MMO genre to hook the player-base before extracting as much as they can from the whales in their glorified casino.
So, here, I present the tenets of a specific game genre: the World genre. The focus on world over game is not a new idea. Brad McQuad famously said, “I want to make worlds, not games.” That focus can be seen right there in the name of Visionary Realms. And without the right language to describe what we are after, the community is continually bit by games that fit the abstract label but disappoint in the details.
The goal with these tenets isn’t to create a template so much as it is to create rough guidelines. In fact, these guidelines probably wouldn’t do a game designer much good in creating a solid design. But they should help in evaluating different options and validating an existing design. Certainly, none of the tenets get as specific as the theme or even the existence of combat. They should apply equally well to a game set in feudal Japan, The Sims Online, or the next zombie apocalypse.
Some tenets are broad, while others more specific. Some tenets are rigid, others more malleable. Some tenets are critical pillars of the genre, while others are less important. Tenets frequently conflict, creating tension.
A note on intuition
The tenets below are driven by the principle that they should be intuitive. The World genre is trying to capture something deeply human, buried in our brains because of the way we have interacted with ourselves, each other, society, and our planet over millennia of evolution. There is no right or wrong answer. When in doubt, we err on the side of realism.
A note on ownership
Establishing reasonably prescriptive tenets on the World and gameplay highlights the necessity of strong ownership and vision for this style of game. This is particularly true given that many of these tenets go explicitly against what makes a great game in general. For example, how many games would actually benefit from less player matchmaking? This also does not lend itself well to player-generated content, where those tenets can be easily violated.
The tenets of immersion
TENET 1 The player should be directly represented in the World
The World genre requires the player to form a direct relationship with the World, not with the character. This is a key difference between Eastern of Western RPGs (both of which I love) and so this may be controversial. The player should be able to insert themselves into their avatar. On the flip-side, it precludes certain mechanics, such as squad-based designs.
TENET 2 The World should be realistic in both form and function
That is, the World should minimize the need for suspension of disbelief. It should pull the player in naturally. I have always felt conflicted by WoW’s appearance. I absolutely loved the cell-shaded look of Wind Waker, but instinctually disliked the cartoon-like nature of WoW. This goes back to immersion. That doesn't mean the visuals have to be photorealistic. They just have to pull you in. It may be possible to get around this through the setting. For example, if the setting is a digital afterlife, you may be able to get away with a more abstract appearance.
TENET 3 The player and World should interface only through the player character
The player should only be able to influence the World through their character. And the World should only be able to influence the player through the character. This means, respectively, no cash shops and a first-person camera. It also means no GPS — unless, of course, the setting supports it. Taken to an extreme, this precludes voice chat, at least without something like racial voice filters.
TENET 4 The player should directly engage with the World around them
The key here is “direct”. No minimaps, no waypoints, no fast travel. Of course, these are not absolute deal-breakers. The key is that the player is able to establish a connection with the World around them. The player should, over the course of the game, develop a strong mental model of the World and its relation to their character.
The tenets of freedom
TENET 5 The player should not be assigned a story
The World itself can (and should!) have a story to tell. But the player character’s story should be their own. The player must have the freedom to make their own place within the World, eschewing the rails that a story provides. Side quests are lesser evils, but still evils. The more choice the better.
TENET 6 The player should be able to pursue multiple forms of progression
The choice should not just be in how to progress. It should be in which ways to progress. The most obvious example is crafting, but this can also include loot, skills, the economy, faction, or even — maybe most importantly — growing in strategy and skill.
TENET 7 The World should be demanding, but not prescriptive
This is an extension of the idea of a lack of story. If the game is too prescriptive, it becomes a job. A chore. To combat this phenomenon, the player needs significant choice at all times. This may, in fact, be the primary draw of the World genre: to provide an environment where players are purely driven by their own will. It is equally important to avoid visibly and overtly influencing the player’s decisions. The player’s incentives and motivating factors should be an organic part of the World. No daily XP boosts, for example. Alternate forms of progression can help here, because even once a player is motivated to progress, they have the choice of which dimension of progress to pursue.
TENET 8 The World should encourage downtime
The player should not feel compelled to move forward at all times. There should be joy simply in existing in the World, experience it moment to moment. Even better, progression itself can require downtime; this is related to the notion that players should be encouraged to play any game in the most fun way possible. This can be accomplished with world design, such as guard-protected cities or social taverns, or mechanics, such as fishing, firework shows, and waiting in queue for a boat. This is effectively the white space of gameplay. And it is all but lost in modern MMOs.
TENET 9 The World should be dangerous
Choice is meaningless without consequence. With real, negative consequence, comes danger. This not only gives weight to the player’s decisions, but also helps to establish the intricate give-and-take relationship between the World and the player. Looking at you, death penalty. If a World game is about finding your place within that world, then danger and risk makes this a meaningful pursuit. If that tension between risk and reward does not exist, even at the start of the journey, it undermines those goals. Note that this is different than challenge — and challenge itself is not enough.
TENET 10 Players should be encouraged to explore the World
This doesn't mean that players are constantly seeking some never-before-seen point of interest, but it does mean that players get out and move. In other words, the world provides resources across its footprint, and you must seek those out. Most forms of progression should require you to get out and explore. This also does not necessitate baubles scattered around the landscape to find.
The tenets of impact
TENET 11 The player’s actions should be worn like a badge
You should be a product of your choices. Your reputation, gear, and skills should tell a story about where you have been and what you have accomplished. Your spoken languages can tell a story of what cities you have spent the most time in. As you spend time in different climates, you may develop a natural acclimation to those environments. Imagine you walk into town and one of the NPC gnomes recognizes the scent of the nearby crystal caverns you have been exploring. This is interesting because it relates to life; the player’s accomplishments should come with artifacts. This also means that auction houses should be limited, as they create an artificial divide between adventure and outcome.
TENET 12 Players should have something unique to offer
The ways that a player can help others in their progression should be relatively unique to that player. As much as possible, they should tell a story about adventures undertaken; e.g., a proc from an item dropped by a famous mob. Of course, classes and class-specific skills are one way to accomplish this, but the more ways the better. For example, if one form of progression is fishing, then fish should be useful to others in many ways. A cooking skill is obvious. More creatively, certain kinds of fish could be used as powerful but low-level weapons. A butcher could extract gills or eyes to, in turn, be used as reagents for spells.
TENET 13 There should be no end game
Even the name “end game” is problematic for several reasons. It suggests a hard limit to progression. It suggests a hard divide in the way the World is experienced once the player reaches this limit. It also suggests that the focus is no longer on the World, but on the game — which is to say, the core promise of the genre is lost. This doesn’t mean to eliminate raids or AA points. It just means that those things should be included in the game proper. This tenet also implies that progression should be relatively limitless. Skyrim is an interesting example of this. One way to accomplish this is to create exponential progress; for example, having each level take 10% more experience than the last. Granted, this is a much harder problem than the simple discussion here suggests.
TENET 14 The player should leave a mark on the World itself
Can a World be meaningful if there is no way to make an impact on it? Of course, their character is one such mark. It is easy to imagine statues erected in town, or NPCs chatting about the first character to hit max level. But there should be a means for all characters to leave some lasting impact. Given that players can already say whatever they want in chat, breaking immersion, a simple example is the ability to leave a journal. These could even be curated. Other possibilities include geocaching, naming items, plaques that can be erected in various places throughout the world. Player-owned housing is perhaps the most obvious.
TENET 15 Power, fame, and fortune must be possible
A world game should be able to provide all three of these drivers. As with reality, these should not be the only reason to play. Fame is largely supported by communication; fortune by economy and loot. Power can be found even outside the game, in the player’s mind, as they grow in skill and strategy.
TENET 16 The player should have a home
Can you have a world without a home? Some place in the world should feel like your own. Where even the NPCs tend to be supportive of you: merchants give discounts and trainers more assistance. This could simply be your birthplace, your hometown.
The tenets of socialization
TENET 17 There must be no explicit matchmaking
Players must find each other. In fact, a World game should ideally employ the opposite of matchmaking: some players should have barriers preventing that connection. This makes it all the more meaningful when these seemingly unlikely relationships form. There are many ways to accomplish this, including separating players by distance or climate or language. Allowing certain players to engage in PvP is another.
TENET 18 There should be risk in trusting others
Trust can only exist when that trust can be violated. Otherwise there is no trust — just a cold, lack of consequence. By allowing negative consequences through socialization, we enable trust, and so enable more meaningful relationships. For example, a player might grief the group, log out at the wrong time, or simply lack the skill to effectively play their character. They might steal your loot.
TENET 19 Players must be able to communicate with language
The purpose of having a World is to allow the player to tell their own story within it. And what story is worth telling that doesn’t involve real connection with others? Connection with others requires communication. And not just any form of communication, but with language. This communication should extend throughout the game, as much as possible. That is, it should be limited to the tavern, but should naturally extend out to the dungeon as well.
TENET 20 Players should be able to help each other organically
Those that have the means to help should find themselves naturally in proximity to those that might need it. For example, have high-level dungeon entrances in low-level areas. Have new characters start out near big cities.
TENET 21 Cooperation should generally benefit progression
For example, a blacksmith could gather all of her own materials or rely on other players. In some cases, a blacksmith might actually require an enchanter to lend a hand in creating the best equipment. This is not a difficult tenet to design towards; it is more a warning against designing forms of progression that specifically do not lend themselves to cooperation. In many MMOs, solo combat is so fast-paced and rewarding that there is little incentive to try to find a group.
The tenets of the World itself
TENET 22 The World should be persistent
Things can change, but not so frequently that it harms the connection the player has with the World. This is one reason why Minecraft may not work as a World game, and perhaps one reason why the focus on player-generated content in EverQuest Next did not lend itself well to a fun experience.
TENET 23 The World should be shared
There should be no instancing. If you need to come up with elaborate lore and mechanics to facilitate this, then so be it. For example, say all of the top tier raid bosses are spirits that can only be summoned by rare relics. And the spirits can only be hurt by those that share a clan sash with the one who summoned them. Obviously this is terribly contrived. But it demonstrates that it is possible to work backwards from the need of a shared world.
TENET 24 The World should be big
You should move slowly compared to the size of the world. It should always feel as though there is somewhere new to explore.
TENET 25 The World should be open
Big by itself is not enough. Theoretically, you could create a massive, linear world — imagine Ant Hill: The MMO. But that is not sufficient for a World game. Exploration is critical, and so the specific layout of the space is important. For another example, imagine Destiny but with hundreds of expansions. The game would be large by any standard, but it would not be a World.
TENET 26 The World should be alive
To some degree, the World should be the main character. Day and night cycles are a simple start. Other possibilities include transient events or even changes to the landscape over time. The World should be full of surprises, unpredictable. You should come across enemies not normally found in the local climate. You should discover loot normally reserved for much tougher mobs. Emergent gameplay can help here as well. The more mechanics and attributes that can be projected naturally to some underlying physics, the greater the chance for interesting and unique interactions. In the same breath, the World should have history. The best example of this is Hollow Knight, a game that tells the history of the World through visual storytelling, environments, enemy design, dialog, secrets, and journals.
TENET 27 The World should be consistent
The World should carry an underlying consistency through it. The World should feel congruent. Variety, also important, must be tempered.
TENET 28 The World should be varied
Different places within the World should have an identity of their own, through climate or culture or environment. Different environments should encourage different play styles and behavior, even downtime.
TENET 29 The World should have landmarks
The World should be defined by the interesting places within it. More than that, the World should have locations that pull players together. Breath of the Wild does an amazing job with this, whereas it is one of the weaknesses of The Witcher III. In EverQuest, the camps themselves often serve this role — think Treants — showing how landmarks can emerge from gameplay rather than, say, visual interest.

(SELLING) BATMAN SOUL OF THE DRAGON + HONEST THIEF + JU JITSU + TENET 4K + ECHO BOOMERS + WOLF OF SNOW HOLLOW + IRON MASK + NEW MUTANTS + UNHINGED + ANTEBELLUM 4K + MULAN + BILL & TED + MANY MORE. ALSO CHECK OUT MY SECONDARY LIST. LINK AT BOTTOM OF MY PRIMARY LIST. THANKS FOR LOOKING ;-)

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GROWN UPS 2 (MA)
GUNMAN-THE (SPLIT) (VUDU OR ITUNES)
HACKSAW RIDGE 4K (VUDU OR ITUNES) $7
HALLOWEEN (2018) (MA)
HANGOVER 2 (MA)
HAPPYTIME MURDERS (ITUNES)
HARRIET (MA) $9
HARRY POTTER & THE DEATHLY HALLOWS PT 2 (#7) (MA)
HEAT-THE (2013) (SPLIT) (VUDU OR ITUNES)
HEAVEN IS FOR REAL (MA HD $4 OR SD $2)
HIDDEN FIGURES (VUDU OR ITUNES 4K)
HIGH NOTE (MA) $8
HOBBIT-THE : AN UNEXPECTED JOURNEY (MA) $5
HOCUS POCUS (GP) $3
HOLMES & WATSON (MA) $5
HOME ALONE 2 (MA)
HONEST THIEF (MA) $9
HOSTILES (4K) (VUDU OR ITUNES) $5
HOT TUB TIME MACHINE (MA)
HOUSE-THE (MA)
HOW TO TRAIN YOUR DRAGON 1 (VUDU OR ITUNES )
HOW TO TRAIN YOUR DRAGON 1-3 (MA) $14
HOW TO TRAIN YOUR DRAGON 2 (MA)
HOW TO TRAIN YOUR DRAGON 3 (MA) $6
HUNGER GAMES (2012) (SPLIT) (VUDU OR ITUNES)
HUNGER GAMES: CATCHING FIRE (2013) (SPLIT) (VUDU OR ITUNES 4K)
HUNGER GAMES: MOCKING JAY PART 1 (2014) (SPLIT) (VUDU OR ITUNES 4K)
HUNGER GAMES: MOCKING JAY PART 2 (2015) (SPLIT) (VUDU OR ITUNES 4K)
HUNT-THE (MA) $8
HUNTSMAN-THE WINTERS WAR EXT (SPLIT) (VUDU HD OR ITUNES 4K)
HUSTLE-THE (ITUNES)
HUSTLERS (ITUNES)
IDENTITY THIEF (VD OR ITUNES)
I FEEL PRETTY (ITUNES)
I SEE YOU (SPLIT) (VUDU $6 OR ITUNES $4)
I STILL BELIEVE (VUDU OR ITUNES 4K) $6
I STILL SEE YOU (VUDU)
IF BEALE STREET COULD TALK (MA)
INCREDIBLES 2 (SPLIT) GP $6)
INCREDIBLES-THE (SPLIT) GP $6
INDEPENDENCE DAY: RESURGENCE (MA OR 4K VIA FOX) $5
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INSIDIOUS: THE LAST KEY (SD)(MA)
INSTANT FAMILY (SPLIT) (VUDU OR ITUNES 4K)
INVISIBLE MAN (MA) 4K $9 OR HD $7
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IRONMAN 2 (MA/ITUNES 4K $8 OR MA HD/ITUNES 4K $7 OR GP $6)
IRON MAN 3 (MA4K/ITUNES 4K $8 OR GP $6)
IRON MASK (VUDU OR ITUNES) $7
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JACK REACHER N.G.B (SPLIT) VUDU OR ITUNES 4K)
JAMES BOND: THE DANIEL CRAIG COLLECTION (4 FILM BUNDLE) (VD HD $15)
JASON BOURNE : BOURNE IDENTITY (MA) 4K (2002) $8
JASON BOURNE : BOURNE SUPREMACY (MA) 4K (2004) $8
JASON BOURNE : BOURNE ULTIMATUM (MA) 4K (2007) $8
JASON BOURNE : BOURNE LEGACY (MA) 4K (2012) $8
JASON BOURNE (SPLIT) VUDU 4K $8 OR VD HD $4 OR ITUNES 4K $2 (2016)
JEXI (VUDU OR ITUNES 4K) $6
JIU JITSU (VUDU OR ITUNES) ($7)
JOHN HENRY (2020) (VUDU $4 OR ITUNES $2)
JOHN WICK 1 & 2 (VUDU) $10
JOHN WICK 3 4K (VUDU/ITUNES/GP) $10
JOKER (MA 4K $7 OR HDX $5)
JOY (VUDU OR ITUNES 4K) $5
JUMANJI: WELCOME TO THE JUNGLE (MA) (SD)
JUNGLE BOOK-THE (2016) (GP $6)
JURASSIC PARK (1993) (MA/VD)
JURASSIC PARK: THE LOST WORLD (1997) (MA)
JURASSIC WORLD (2015) (SPLIT) (VD OR ITUNES 4K)
JUSTICE LEAGUE (MA) $5
JUST MERCY (MA) $8
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KILLERMAN (VUDU $5 OR ITUNES $4)
KING ARTHUR: LEGEND OF THE SWORD (MA)
KING KONG 4K (2005) (MA) $8
KING OF STATEN ISLAND (MA) $8
KINGSMAN-GOLDEN CIRCLE (MA OR ITUNES 4K)
KITCHEN-THE (MA SD $4)
KNICK-THE (S1) (SPLIT) (VUDU $8 OR ITUNES $7)
KNIVES OUT 4K (VUDU OR ITUNES) $8
KNOCK KNOCK (VUDU OR ITUNES)
KRAMPUS (VD)
LAST STAND-THE (SPLIT) (VUDU OR ITUNES)
LAST WITCH HUNTER-THE (VD)
LEGEND OF TARZAN-THE (MA)
LEGION-THE (VUDU OR ITUNES) $6
LEGO DC SHAZAM!: MAGIC & MONSTERS (MA) $6
LEGO MOVIE 4K (2014) (MA) $6 OR VD HD $4
LEGO NINJAGO MOVIE-THE (MA) $5
LIFE (2017) (MA)
LIGHT OF MY LIFE (SPLIT) (VUDU $6 OR ITUNES $4)
LIKE A BOSS (VUDU OR ITUNES 4K) $8
LITTLE (MA) $5
LIVE BY NIGHT (MA)
LOGAN (VUDU OR ITUNES)
LOGAN LUCKY (SPLIT) VUDU OR ITUNES 4K)
LONE SURVIVOR (SPLIT) (VUDU OR ITUNES 4K)
LORAX-THE (SPLIT) (VD OR ITUNES)
LUCKY DAY (VUDU OR ITUNES 4K) $6
MAGIC MIKE (MA)
MAMMA MIA-HERE WE GO AGAIN (MA)
MAN OF STEEL (MA)
MEGAN LEAVEY (SPLIT) VUDU OR ITUNES)
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M:I #2 (SPLIT) (VUDU HD $4 OR ITUNES 4K $4)
M:I #3 (SPLIT) (ITUNES 4K $4)
M:I #4 (SPLIT) (VUDU HD $4 OR ITUNES 4K $4)
M:I #5 (SPLIT) (VUDU HD $4 OR ITUNES 4K $4)
M:I-6 FALLOUT (SPLIT) (VUDU 4K $5 OR VUDU HD $4 OR ITUNES 4K $4)
MILE 22 (ITUNES 4K) $2.50
MISS PEREGRINE'S H.F.P.C (VUDU OR ITUNES 4K)
MOANA (MA $4 OR GP $3)
MOB TOWN (VUDU OR ITUNES) $4
MOLLY'S GAME (ITUNES)
MONSTERS UNIVERSITY (GP $5)
MONSTERS, INC.(SPLIT) (MA HD OR ITUNES 4K $7)
MORTAL ENGINES (MA) $5
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MOTHERLESS BROOKLYN (SD) MA $4
MOUNTAIN BETWEEN US (MA OR ITUNES 4K VIA FOX WEBSITE)
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MULAN 1998 (MA 4K $7 OR GP $6)
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MUMMY RETURNS-THE 2001 (SPLIT) (VUDU OR ITUNES 4K)
MUMMY-THE: TOMB OF THE DRAGON EMPEROR (2008) (SPLIT) (VUDU OR ITUNES 4K)
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MURDER ON ORIENT EXPRESS (MA)
NEW MUTANTS (SPLIT) (MA $6 OR GP $5)
NEW YEARS EVE (2011) MA
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NIGHT HUNTER (VUDU $5 OR ITUNES $4)
NIGHT SCHOOL EXTENDED CUT (MA)
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NOCTURNAL ANIMALS (SPLIT) (VUDU OR ITUNES)
NON-STOP (SPLIT) (VUDU OR ITUNES)
NOW YOU SEE ME (SPLIT) (VUDU OR ITUNES 4K)
NOW YOU SEE ME 1&2 (VUDU) $8
NUT JOB 2 NUTTY BY NATURE (SPLIT) VUDU OR ITUNES)
OCEANS 8 (4K) (MA) $7
OFFICE X-MAS PARTY (SPLIT) VUDU OR ITUNES 4K)
OFFICIAL SECRETS (SPLIT) (VUDU OR ITUNES)
OTHER WOMAN-THE (MA)
ONLY THE BRAVE (MA) HD$4 OR SD$2
ONWARD (SPLIT) MA 4K $8 OR GP $5
OVERLORD (SPLIT) VUDU 4K $6 OR VUDU HDX/ITUNES 4K $4
OZ THE GREAT & POWERFUL (GP) $5
PACIFIC RIM (MA/VD) $5
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PARENTAL GUIDANCE (MA) $5
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PATRIOTS DAY 2017 (SPLIT) (VUDU OR ITUNES 4K)
PEANUT BUTTER FALCON-THE (VUDU OR ITUNES) $8
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PHOTOGRAPH-THE (MA) $8
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POCAHONTAS 2 (SPLIT) (MA$7 OR GP $6)
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QUIET PLACE-A (SPLIT) VUDU OR ITUNES 4K)
RACE (2016) (VUDU OR ITUNES)
RALPH BREAKS THE INTERNET (SPLIT) (GP$4)
RAMBO LAST BLOOD 4K (VUDU OR ITUNES) $8
RAMPAGE (MA) HD
READY PLAYER ONE (MA)
RICHARD JEWELL SD (MA) $5
RIDE LIKE A GIRL (VUDU OR ITUNES) $8
RINGS (SPLIT) (ITUNES)
RIOT (2016) (VUDU OR ITUNES)
ROBIN HOOD 2018 (VUDU OR ITUNES) $6
ROBOCOP (2014) (VUDU OR ITUNES)
ROCKETMAN (VUDU OR ITUNES 4K)
ROUGE (VUDU OR ITUNES 4K) $7
ROUGE WARFARE (VUDU $6 OR ITUNES $4)
RUN THE RACE (MA) $5
RUSH 2013 (VUDU) $5
RUSSELL MADNESS (MA)
RHYTHM SECTION-THE (VUDU OR ITUNES 4K) $7
SAME KIND OF DIFFERENT AS ME (SPLIT) (ITUNES)
SCARY STORIES TO TELL IN THE DARK 4K (VUDU OR ITUNES) $8
SCOOB! (MA 4K $10)
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SECRET: DARE TO DREAM-THE (VUDU OR ITUNES) $8
SECRET GARDEN-THE (ITUNES 4K) $7
SECRET LIFE OF WALTER MITTY-THE (MA)
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SHAFT (2019) (VUDU) $5
SHALLOWS-THE (MA) $5
SHERLOCK HOLMES (2009) MA/VD
SHERLOCK HOLMES (2011) MA/VD
SICARIO 4K (VUDU OR ITUNES) $6
SILENCING-THE (VD OR ITUNE5 4K) $7
SILVER LININGS PLAYBOOK (ITUNES)
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SLEEPING BEAUTY 1959 (SPLIT) (GP $6)
SLEEPLESS (SPLIT) (VD OR ITUNES)
SNATCHED (SPLIT) VUDU OR ITUNES 4K)
SNOWMAN-THE (2017) (MA) $7
SNOW WHITE & THE 7 DWARFS (1937) (SPLIT) (MA OR ITUNES $7) OR GP $6
SOLO:A STAR WARS STORY (GP) $6
SONIC THE HEDGEHOG (VUDU 4K $9 OR VUDU OR ITUNES 4K $7
SON OF GOD (MA)
SPACE JAM (1996) (MA) $7
SPARE PART 2015 (VUDU)
SPELL (VD HD OR ITUNES 4K) $8
SPIDERMAN 3 (2007) (MA)
SPIES IN DISGUISE (SPLIT) (GP $6)
SPLIT (2017) (SPLIT) (ITUNES 4K)
STAR TREK BEYOND (SPLIT) VUDU OR ITUNES 4K)
STAR TREK INTO DARKNESS (SPLIT) (VUDU OR ITUNES 4K)
STAR WARS #7 THE FORCE AWAKENS (SPLIT) (GP $6)
STAR WARS #8 THE LAST JEDI (SPLIT) (GP $6)
STAR WARS #9 RISE OF SKYWALKER (SPLIT) (MA 4K $7 GP $6)
STAR WARS ROUGE ONE (SPLIT) (GP $6)
STRANGERS PREY AT NIGHT (MA)
SUICIDE SQUAD (MA) $5
SUPERMAN MAN OF TOMMOROW (MA) $7
SUPERMAN RED SON (MA) $7
SWING OF THINGS (VUDU OR ITUNES) $7
TAMMY (MA)
TANGLED (GP) $6
TED 2 UNRATED (SPLIT) (VD OR ITUNES)
TENET (MA 4K $10 OR HD $8)
TERMINATOR DARK FATE (VUDU 4K $7 OR VUDU $5 OR ITUNES 4K $4)
THAT AKWARD MOMENT (MA) $7
THE 33 (MA)
THE INTERVIEW (2014) (MA)
THOR #1 (SPLIT) MA/ITUNES 4K $8 OR GP $5)
THOR RAGNAROK (SPLIT) MA HD OR ITUNES 4K $7 OR GP $4
THREE BILLBOARDS OUTSIDE OF E.M (MA)
TOTAL RECALL 4K (1990) (VUDU OR ITUNES) $7
TOY STORY 4 (SPLIT) MA/ITUNES 4K $8 OR MA HD $6 OR GP HD $5
TRANSCENDENCE (VD)
TRANSFORMERS (#5) (SPLIT) (ITUNES 4K)
TROLLS (MA)
TROLLS 1 & 2 (MA) $12
TROLLS WORLD TOUR (MA) $8
TRUE DETECTIVE S3 (SPLIT) (VUDU $5 OR ITUNES $4)
TURNING-THE (MA) $8
TYLER'S PERRY'S A MEADA CHRISTMAS (VUDU)
TYLER PERRY'S MADEA'S WITNESS PROTECTION (VUDU)
TYLER PERRY'S TEMPTATION: CONFESSION OF A MARRIAGE COUNSELOR (VUDU)
UNBROKEN (2014) (SPLIT) (VUDU OR ITUNES)
UNBROKEN: PATH TO REDEEMTION (MA) $5
UNCUT GEMS (VUDU OR ITUNES) $5
UNCUT GEMS (VUDU) $8
UNDERWATER (MA) $8
UNFRIENDED:DARK WEB (MA) $8
UNHINGED (VD) $7
UPSIDE-THE (ITUNES)
US (MA)
VANISHED-THE (VUDU OR ITUNES) $6
VICE (MA)
WALL-E: (GP $6)
WAR DOGS (2016) (MA)
WAR FOR THE PLANET OF THE APES(SPLIT) VUDU OR ITUNES 4K)
WATCHMEN S1 (VUDU) $10
WAY BACK-THE (MA) $7
WHAT MEN WANT (SPLIT) VUDU $4 OR ITUNES $3)
WHY HIM (SPLIT) VUDU OR ITUNES 4K)
WIDOWS (MA) ($4)
WOLF OF SNOW HOLLOW (VD) SD $7
WONDER PARK (SPLIT) (VUDU OR ITUNES)
WONDER WOMAN (MA)
WORLD WAR Z (SPLIT) (VUDU OR ITUNES)
XXX R. O Xander CAGE (VUDU OR ITUNES 4K)
YOUNG MESSIAH-THE (MA)
PAYMENTS ACCEPTED
+PAYPAL FRIENDS & FAMILY +CASH APP +VENMO +GOOGLE PAY +APPLE PAY
SECONDARY LIST BELOW
https://docs.google.com/document/d/1cZ9CqHTNJ14wo7H80BkSi4nTZHOf-4eBxnCtJjYAk48/edit?usp=drivesdk

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