Anybody here ever worked as a table dealecroupier at the treasury? If so, how often do they take through trainee groups? And can you tell me much about the job, pay rates ect. It's something i've wanted to do for a while but just missed the closing application date this time around. Do they only take new recruits once a year? Twice? What would help me in the interview process? Should I pay to do that dealer course at casino training australia first?
Any help is appreciated.

First-time poster here so sorry if i've broken any rules!
So a quick summary... I studied Business, Music and Economics at A-Level and "achieved" C, D and E grades respectively. I left my 6th form in 2012 disheartened and all of a sudden struggling with mental health. I overcame this battle and in the summer of 2013, managed to get into Sunderland University to study Music via clearing. Fast forward 3 years and I graduated with a 2:2.
Having graduated, I wasn't sure what I wanted to do next. To earn some money in the meantime, I took a chance on a "casino training course." The course was 6 weeks and I started my job as a trainee croupier straight away. 4 years later and although I enjoy my job, I've become very comfortable and know that in my heart, it's time to move on.
Time really has flown since my mental health struggles of 2012 and I'm now 27. The other week I came across an old textbook from my GCSE days. It was a Law book... I opened it and found myself fascinated by what I was reading! I done some research and learned about the GDL conversion course and haven't been able to think of anything else since!
Upon further research, I fear two things could stop this dream dead in its tracks...

• The financial burden of funding both the GDL and the LPC/BPTC
• My average academic record so far

I really appreciate anyone that has taken time out of their day to read my little story on here. If anyone has any advice/pointers I would love to hear it!
Thank you!! :)

​
Whamoo Casino Review & Free Bonus
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About Whamoo Casino [Full Review]

Whamoo is a brand new, fun-loving online casino that has recently opened its premises for gamblers from many countries around the world. It does however promise to be more than just an online casino, as Whamoo describes itself as a lifestyle and feeling.
The rush you feel when the reels spin. The sound you make when that spin turns into a huge win. That’s Whamoo. Yet Whamoo is so much more than that. This online casino promises all you would expect from a reputable online casino – but then improved further. A massive game library? Check. Live casino? Check. Full mobile compatibility? Check. An entire VIP bonus programme for loyal customers? Check. Whamoo is a casino which comes with the entire package which players have come to expect of a casino provider.
On paper Whamoo sounds like a great online casino. But being a newcomer on the scene, there are of course always some open questions. How reliable is Whamoo? What can you expect from this brand new casino when it comes to the available games? How cooperative is their online help desk? What kind of welcome bonuses are there for new players who wish to open an online account?
In our extensive Whamoo review, we will try to answer all of the above questions and guide you through this brand new casino. So do read on and let’s explore this exciting new addition to the world of online gambling!
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A fully licenced online casino

Whamoo is a fully licenced online casino and a safe place for gamblers to put down their wagers. The website of whamoo.com is operated by DialMedia Ltd, a company registered by the Malta Business Registry with number C86642, on the registered address of Depiro Point, Block A2, Triq Mons G. Depiro, Sliema, Malta.
As gambling operator, DialMedia Ltd. fully licensed and regulated by the Malta Gaming Authority (MGA) under licence number MGA/B2C/542/2018 issued on 10/04/2019.
What does this say about the reliability of Whamoo?
The MGA licence is one of the better ones you can find in the online casino world as Malta is the major European nation when it comes to online gambling. It is home not only to most of the world’s top online casinos, but also to many software providers and other businesses providing auxiliary services in the gambling industry.
A Malta Gaming Authority licence is not handed out with ease, as a company needs to fulfil many criteria before being granted one. The national gambling authorities of this Mediterranean island and EU member state check for example if all games which are made available are indeed fair and honest. They also check whether a company has enough cash reserves to pay out lucky winners of casino games and hold regular audits to ensure that there are no irregularities.
If an online casino has a MGA licence, it means that all the important criteria when it comes to safety, honesty and reliability are fulfilled and that it is a safe place to gamble. For us, the online casino licence is always a first thing we check before we even would consider playing somewhere. With this crucial criteria being fulfilled, we can thus move forward in our Whamoo review and look at all the other things this casino has to offer. And to be honest, the whole Whamoo package looks quite promising! Three of the main selling points of the Whamoo online casino are:

• Compile your own welcome bonus package and decide between free spins or a deposit bonus – or a combination of both.
• Hundreds of games from top casino software developers, including an exciting live casino platform.
• Recurring reload bonuses every Monday, Wednesday and Friday.

Whamoo clearly sounds like a promising casino when looking at the selling points, but do these points hold up when we test out the casino in real? Let’s continue our review of Whamoo with one of the most important aspects of every online casino: its game library. Which casino games can we find back in the Whamoo game collection? How honest and fair are these games? These are all legit questions which must be looked into before you can decide whether or not an online casino is suitable or not.
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Games from top software developers

When checking the list of Whamoo’s software providers you can only feel relieved as this brand new online casino only has games from the world’s top casino games developers. Especially for a newly opened online casino it is important to show to the public that you are talking serious – and you can only do that by adding the most popular games from the top software providers to your game library.
It’s not only about fun. Sure, these top software developers are known for making some of the most fantastic video slots, stellar table games. They have the most exhilarating and professional live casino tables to which you can connect in just a few clicks. But it’s more than just playing fun, graphics and game design.
By only having games from the top software companies, you are giving your players a clear message that you are only satisfied with the best quality games. Perhaps the most important aspect is game reliability, honesty and fairness. All games from the top software companies are fully tested and accredited by regulatory bodies. These gaming authorities check whether games indeed turn out completely random results and give gamblers a honest shot at winning. This is perhaps even more important than just a fantastically designed game, as in the end what matters most is reliability and honesty inside a casino.

RNG

The games which can be played at Whamoo Casino all have a piece of code called a Random Number Generator (RNG). With a random number generator, the outcome of every game is completely random and independent from previous results. It means that every card being dealt on the table, all dice which are thrown during a game, and every ball spinning around in the roulette wheel is never predetermined. Let’s put it this way: if you throw a single dice with the numbers 1 to 6 on it, you have indeed an exact 1 out of 6 chance that it will land on your predicted number.
A random number generator is absolutely crucial when it comes to delivering fair game results and giving gamblers a honest chance at winning. By having games from the top software providers, Whamoo makes sure that you can trust the fairness of every casino game you play. The good thing is that not only are the game results subject to occasional audits by regulatory authorities, but that these software providers also pro-actively test their own games to ensure they fulfil the highest industry standards. They hire independent testing agencies such as eCOGRA to check their games, both in virtual simulations and real-time results.
Let’s take a look at the software providers whose games have already been added to the Whamoo game library. As these are some of the best known software developers in the world, chances are that you have heard about some of these names before!
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NETENT GAMES

Also known by its full name of Net Entertainment, NetEnt is one of the largest casino game developers in the world. NetEnt is a Swedish company which was founded in 1996, which makes it one of the oldest companies in the relatively young world of online casino gaming. It is so big, that the company is even listed on the local NASDAQ stock exchange in Stockholm, Sweden!
NetEnt is best known for its vast video slot portfolio, of which many games are also playable at Whamoo. Having NetEnt games in your casino game library is almost a must for every online casino, as besides Whamoo some 300 or so more online casinos have NetEnt games available, which tells you something about the popularity of this company. Just like Whamoo itself, NetEnt has a full gambling licence in the EU member state of Malta, which means that all games are subject to regulatory oversight and can be trusted for their fairness. NetEnt also works closely together with independent testing labs to ensure that their games meet the highest standards.
Some popular NetEnt games which you can play at Whamoo are Jack and the Beanstalk, BerryBurst, Twin Spin, The Vikings, Wings of Riches, Aloha!, Fruit Shop, Jacks or Better, Gonzo’s Quest, Dazzle Me, Wild Bazaar and of course the eternal favourite of Starburst.

PRAGMATIC PLAY GAMES

Pragmatic Play is another major company in the online gaming world. The casino games of Pragmatic Play are always popular with the players, so it is no surprise that Whamoo has chosen to add quite a few Pragmatic Play games to its online collection. Pragmatic Play focuses mostly on online video slots, although they also make some exciting live casino games which are hosted in their own studios.
Being only founded in 2015, Pragmatic Play is a relative newcomer within the game developing industry. Yet in those few years time, the company already managed to reach to top heights with Pragmatic Play being considered to rank among the top game providers. Quality and safety are of immense importance for Pragmatic Play. Therefore, all games are documented and tested by independent auditors and testing labs such as QUINEL, BMM and Gaming Labs.
Popular Pragmatic Play games which can be played at Whamoo are John Hunter and the Aztec Treasure, Great Rhino Megaways, Leprechaun Song, Lucky Dragons, Mustang Gold, The Champions, Vegas Nights, Aztec Gems, Buffalo King, Starz Megaways, Triple Jokers, Magic Crystals, Sugar Rush, Beowulf and many more exciting video slots.
Of course, many baccarat, blackjack and roulette variants are available in Whamoo’s Live Casino which is powered by Pragmatic Play software. You are connected by high resolution video feed to professional dealers and croupiers in one of the Pragmatic Play casino studios where you can experience the thrills of a real life casino behind your computer or mobile phone. It’s almost like you are standing in Vegas!

STAKELOGIC GAMES

Stakelogic is another popular software developer which has added its games to the Whamoo game library. As one of the best-known developers in the software industry, it is always a good sign that Stakelogic games are available to play given that this company has made some exciting video slots.
Using HTML5, Stakelogic games are of course fully mobile compatible, which means you can play them on your smartphone as well. The company has also made some exciting new 3D slots which are not only gorgeous to look at but also wild fun to play. As an off-shoot company from gaming giants Novomatic, Stakelogic certainly is a reputable software developer which can be trusted when it comes to fairness and reliability.
Popular Stakelogic games are Epic Slam, Wild Stallion, Magic Wheel, Super Wild Arcade, Fruit Spinner, Lucky Gems Deluxe, Hot Fruits, Grand Slam Deluxe, Runner Runner, Turbo 4 Player Jackpot, Dragons and Magic, Big 5 Jungle Jackpot, Mariachi and The Big Cash Game.
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High limit gaming options

Whamoo is an online casino which is not only suitable for gamblers on a tight budget, but also for the true high rollers. You can place bets as low as a few cents, or as high as several thousands of euros or dollars at this online casino. Depending on your game of choice, whether its a jackpot video slot or classic table game, there are countless of options to bet big for maximum excitement and chances of winning top prizes. Further down in this Whamoo review, we will discuss some of the high limit games which are available.
Highrollers should also note that Whamoo comes with its own VIP programme in which you can quickly work yourself to the top category if you bet big. You can get instant access to your own dedicated casino manager and will get invites to high stakes tournaments. There are special weekly cashback bonuses as well for the true high roller gamblers at Whamoo. We will discuss the VIP program more in depth a bit further down this Whamoo review.
For now, let’s take a look at all the high roller games which are available at Whamoo Online Casino!

Endless rows of jackpot video slots

If you are a real lover of video slots you will be glad to hear that Whamoo has several hundreds of online video slots available. Although some of these slots are more suitable for beginning players or those on a tight budget, there are plenty of slots available where you can bet up to 100 euro/dollar per spin. This makes for some exhilarating and thrilling slot game action which will please any high stakes gambler out there!
Of course, Whamoo also has its share of jackpot slots where you have a shot at winning the progressive jackpot which can run well above a million euro or dollar! These premium slots, such as those using the famous Megaways system, offer countless of opportunities to place maximum bets at your video slot of choice.
Check the Whamoo game library whether or not your favourite slot is available as well, or try one of the many exciting new game additions! It is easy to browse through the Whamoo website. You can sort slots by software provider, or use the search function to check for your beloved title.

Join for some high stakes blackjack action

Blackjack has always been one of the most popular games among high rollers and the reasons why are quite clear. You can often bet high amounts of money on a single play and you can as a player slightly influence the outcome of a game as you need to decide whether you want to stand or hit another card.
At Whamoo, there is plenty of high stakes blackjack action. There are both normal blackjack games such as American Blackjack and multihand Blackjack, as well as blackjack tables in the live casino. In the live casino, which is powered by Pragmatic Play software, you can play several blackjack variants. Bets of up to several hundreds of euros or dollars, or even higher for the real VIPs, are possible.
Beat the hand of the dealer and hit that score of 21. Maybe it will be your lucky day playing blackjack at Whamoo Online Casino!

Grab a seat at the roulette table

There is plenty of roulette action at Whamoo as well. You can choose between virtual roulette versions, or opt for a seat at a roulette table in the live casino, where you are connected to a real-time croupier by video feed. Especially in the live casino high bets of up to a thousand dollar or more are possible, making roulette a big favourite among the real high stake gamblers.
Of course, Whamoo Casino has all of the the standard roulette versions of American Roulette, French Roulette and European Roulette. Most of these games are developed by software giants NetEnt.
In the live casino, there is also Roulette Macao Live, where you will be connected to a gaming environment which makes you feel like you are playing in the famous casinos of this Chinese gambling mecca. Live Speed Roulette, Live Roulette Auto and Roulette Azure are popular Pragmatic Play live casino versions of roulette which are available to Whamoo players.
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Whamoo's unique bonus package

One area in which Whamoo stands out as online casino is its great bonus package. Of course, there is a great welcome bonus for newly registered users. But the fun doesn’t stop there! At Whamoo casino, it is bonus day almost every single day of the week. On Mondays, Wednesdays and Fridays the casino has recurring bonus offers if you reload you bankroll on one of those days. This makes Whamoo not only an attractive casino at the moment you sign up, but also at all those moments when you come back to play again.
300 free spins or a €200 deposit bonus

The Whamoo welcome bonus

We start of discussing the Whamoo welcome bonus which is called the “Welcombo” bonus by the casino. On a picture the Welcombo might not look too appealing as its packed in a carton takeaway box you might get at a certain fast food restaurant, but trust us on this: its contents are truly fantastic.
The Welcombo box contains a combination of goodies you get with your very first deposit at Whamoo. And what is best of all? You can decide what combo you want to receive! If you sign up at Whamoo for a free online casino account, you can determine your own bonus by adjusting the slide until you have found a combination which matches your idea of a perfect bonus.
This is a great option as it allows people to choose the bonus which best suits them. You can choose between free spins and a deposit bonus – or a combination of both. If you are an avid video slot gamer and do not care much about table games, you may want to slide all the way to the maximum free spins bonus. In that case, you will receive 300 free spins, but your deposit bonus will be 0%. The free spins in the Welcombo package are valid on the popular Amatic Industries slot Book of Fortune.
On the other hand, if you only care about table games and are not really interested in free spins and playing video slots, you want to adjust the slide to the maximum deposit bonus. This is a 100% deposit bonus of up to 200 euro. This means that if you deposit 200 euro of your own money to your newly created online casino account, Whamoo will top this up by another 200 euro from the house! If you select the full 100% deposit bonus, you will however not receive any free spins at all.
Of course, you can also opt for a mix between free spins and a deposit bonus. If you leave the slider in the middle, you will get 150 free spins and a 50% deposit bonus, for example. You can tweak this in any direction you want, for example to a 70% deposit bonus and 90 free spins. The higher your deposit bonus, the less free spins you receive. Want more free spins? Then your deposit bonus will decrease.

Welcombo bonus terms and conditions

Only one bonus is allowed per household and/or per player account. Do note that Whamoo’s bonuses remain valid until seven days after the required deposit has been made. Once this period ends, the bonus is automatically flagged as expired by the system and can no longer be released. The expired bonus funds are then automatically removed from the player’s account.
Of course, there is a wagering requirement which must be met in order to withdraw your bonus money and any winnings which may derive from it. Real money balance is used prior to bonus balance. The bonus balance will only be used when there is no real money available in your account. Only real money funds and released bonus funds can contribute towards the wagering requirement of the bonus. The wagering requirement for the Welcombo deposit bonus and free spins is thirty times (30x) the deposit + bonus.
Do note that players that deposit money using Paysafecard, Skrill or Neteller are not eligible for the Welcombo. To assure fair gaming and prevent fraud, Whamoo has placed a maximum cap on bonus money wagers, which are limited to a maximum per round/bet of €5 or its equivalent in other currencies. You should also be aware that certain games cannot be played using bonus money. There is a full overview of these games on the Whamoo bonus page.
Bets placed in certain games might not contribute fully to the wagering requirements.

• Bets placed on video slots count for 100%
• Bets placed on scratch cards count for 100%
• Bets placed on blackjack count for 10%
• Bets placed on video poker count for 10%
• Bets placed on poker count for 10%
• Bets placed on roulette, baccarat, sic-bo and craps do not count
• Bets placed on live casino games do not count

Recurring bonuses at Whamoo

The bonus fun does not stop at the welcome bonus when you play at Whamoo! You can count on a constant stream of promotional campaigns and bonus offers. The casino has recurring promo offers every Monday, Wednesday and Friday. If you deposit some extra money to your online casino bankroll on one of those days, you are eligible for a bonus. It therefore pays off to wait for these days before you decide to reload your online funds.
On Monday it is Pick ‘n’ Play day to start off the week with some good vibes. On this day, the casino basically tops up your deposited money You can:

• Turn your €20 into €25 with the code 100024;
• turn your €50 into €65 with the code 100025, and/or
• turn your €100 into €135 with the code 100026.

It is even possible to combine these bonuses if you want to deposit a larger sum! Alternatively, you can use the bonus codes of WHPICK5, WHPICK15 and WHPICK35 by putting these into the promo code field on the cashier page every Monday.

Whoa Wednesday

Wednesday is for many a difficult day in the week, it being right in the middle of another long week of work. To spice up things, Whamoo has come with an unusual bonus which it calls “Whoa Wednesday”.
Every Wednesday you get to uncover your secret gift – for free, no strings attached. The casino will add this gift to your next deposit. This can be a bonus, a set of free spins, or even both. You’ll get all the details once you’ve pulled off the cover and logged into your account. You will receive the bonus details and promotional code, which you can use in the promo field at the payment page to receive your hard-earned Wednesday bonus.

Freeday bonus

Friday is the favourite day of the week for many people – and the reason why is quite obvious. It marks the end of another working week and the start of some well-deserved weekend R&R! For many people this involves paying a visit to a land-based or online casino to get their kicks at their favourite game, whether it is a card game, roulette or video slot.
Whamoo knows that many people cannot wait for the days off work to start and therefore has come up with a special Friday bonus to welcome in the weekend! This bonus day is called ‘Freeday’ by Whamoo. The casino basically hands you a bunch of free spins if you are a regular customer. For every weekday from the previous week (Friday through Thursday) that you’ve deposited 30 euro or more, you get 10 free spins. For every weekend day you even get 20 Free Spins! That means up to 90 Free Spins are yours to play with. That’s a great start to a weekend full of partying and fun!

Wagering requirements

Do note that wagering requirements do apply to all daily promo offers. These are more or less the same as we outlined above in the description of the welcome package, but do take a look at the bonus terms and conditions page on the Whamoo website to know precisely what you can expect! As always, it is important to read the small print in order not to face any surprises later on.
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A fully mobile compatible casino

As a brand new online casino, Whamoo knows that already a majority of gamblers nowadays play on their mobile phones rather than on computers. Because of this, the Whamoo casino is fully compatible with mobile devices and tablets. If you load the Whamoo website on your smartphone, it looks just as good as on your laptop of computer. It’s equally accessible and orderly too! The mobile website is a breeze to browse through and you can easily access all the important pages such as the game library and payment page.
The same counts for the actual games themselves. Whamoo only works with software providers which are known to offer full mobile gaming support. These games are made in code such as HTML5, which means that the games can simply be played in your (mobile) internet browser. There is no download or special app required to play these games. Whether you are playing on your computer, tablet or smartphone, you simply surf to Whamoo.com and select your favourite game from the library. This game will then open in your internet browser – and you can play instantly. It does not matter whether your phone runs on Android or is an iPhone, nor does it matter whether you have Mozilla Firefox, Google Chrome, Internet Explorer, Opera, Safari or any other internet browser. Whamoo will function just fine!
This is absolutely great as you can now play at Whamoo wherever you are, whenever you want. Want to put down some wagers on the roulette table while you are sitting in public transport on your way to work? That’s easily doable! Just take out your smartphone on the train or bus, and surf to Whamoo.com to play at your favourite roulette table. Are you sitting on your couch at home and want to play a few hands of blackjack before going to sleep? Just take out your laptop, tablet or phone and within seconds you can have some of the most exhilarating blackjack fun on your screen.

The Whamoo Live Casino

Whamoo’s live casino is powered by Pragmatic Play and NetEnt software – which are two of the biggest, most reputable software providers in the world. This is great news for the players, as you can access high quality tables in just a few clicks.
In the live casino, you are connected with a live video feed to a real-time casino table in one of the casino studios of these software providers. You can play games like baccarat, blackjack and roulette like you are standing in a real land-based casino in Vegas or Monaco! Thanks to the high definition video stream, you have a great overview of all the action which unfolds on and around the table.
All table games are led by experienced, professional croupiers and dealers who are not only well-trained, but entertaining as well. By all means, feel free to open your microphone or the chat window to have a talk with them, or even with other players from around the world. This is what makes the live casino such a great invention. Even though you might be sitting at home in front of your laptop or computer, it does almost feel like you are standing in a casino for real!
Especially for high rollers the live casino is a worthwhile addition as table limits are often much higher than in regular games. Of course, if you are on a tight budget there will definitely be live casino tables where low minimum bets are allowed too – no worries there. But it is the experienced, high stakes gambler who probably feels most at home in the live casino.
There are multiple baccarat, blackjack and roulette variants which you can play. For roulette, there is American Roulette, European Roulette, French Roulette, Speed Roulette, Live Roulette Auto and Roulette Macao Live. If you prefer the casino classic of blackjack, you will find plenty of different tables all with slightly different betting limits. Baccarat is perhaps the game with the highest betting limit. Besides the regular version, there are also Speed Baccarat tables. A fourth casino game which can be played live at the Whamoo Live Casino is Sic Bo. Just browse through the list of live casino games, or use the search function to find your favourite table!
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Slothrop's Hawaiian Shirt by Zak Smith (2006).
I just want to begin by thanking u/Bloomsdayclock for coordinating this endeavor, for all of the previous posts thus far, and for the enthusiastic interaction and scholarship that’s been happening in the comments for each post. This group read has rekindled my love for this book and is helping me understand it in so many different ways and in such greater depth that it's honestly like I’m reading a different book at this point. Also, kudos to each previous poster for creating a coherent post! The book is complex enough on its own but once you start going down the rabbit hole, sussing out the references, reading through some of the scholarship, etc., I almost found myself paralyzed by information overload (kinda feeling a bit like Charlie Kelly trying to figure out who “Pepe Silvia” is :) ). When this reading group started, I was like, “damn, I’m trying to read this insanely complex novel and the group posts are just as long, dense, and complex” and now I’ve gone and written some super long and dense post, too. To paraphrase either Blaise Pascal or Mark Twain (or Woodrow Wilson or apparently a rather large number of dead white guys from history): I would have written a shorter post if I’d had the time! Apologies in advance!
Anyways, this post will (attempt to) cover the start of the second section of the novel, Un Perm’ au Casino Hermann Goering. The events that transpire are zany and sinister, titillating and deeply sad. There is a mix of images both gorgeous and disgusting and much of the planning and plotting that took place at “The White Visitation” during the first section are starting to come to fruition in part deux. For each “Episode”, I will provide a general summary of the “action” and then some commentary and we’ll finish this post up with a few discussion questions. Let’s begin!
Episode 22
Summary
Slothrop is on furlough/leave at a casino in Monaco (from what I’ve read...I thought it was France before, still not completely sure) that’s been renamed in honor of the big fat slob that led Hitler’s air force during the war. He’s in paradise but wakes up “...[waiting] for a sudden noise to begin his day, a first rocket” (p. 181). His friend Tantivy Mucker-Maffick and a somewhat suspicious friend of his, Teddy Bloat (“[there’s] something about the way he talks to Slothrop, patronizing? Maybe nervous…” (p. 182)), are staying down the hall. They’re talking about meeting some girls but, as the first song of the section reminds us, Englishmen can be very shy. Slothrop is happy to help his “buddies” out, but tells them not to “expect [him] to put it in for [them]” (p. 183). Classic Slothrop!
Slothrop decides to wear a hideous (or amazing, depending on your sensibilities) genuine Hawaiian shirt that he received from his brother Hogan in the Pacific. The shirt seems to emit a glow (once he steps into the sun, it “blazes into a refulgent life of its own” (!) (p. 184), so Tantivy, “friend” that he is, tries to convince Slothrop to cover it up with scratchy Savile Row coat.
The trio hit the beach and the ladies are on them already. They’ve got food and booze and are ready for a nice day on the beach. The morning seems too good even for a bit of the “early paranoia”. And then Bloat ruins everything by drawing Slothrop’s attention to the woman down the beach being attacked by “the biggest fucking octopus Slothrop has ever seen outside of the movies”. Slothrop rushes off to intervene and, left without recourse, starts trying to bash the cephalopod on the head with a wine bottle to no avail. Thankfully, Bloat just happens to have a big, tasty crab on his person, which he tosses to Slothrop with the advice, “It’s hungry, it’ll go for the crab. Don’t kill it, Slothrop.” Slothrop uses the crab to bait away the animal from its current prey, noticing that it does not seem to be in good mental health. He eventually tosses the crab, like a discus, into the sea, and the octopus follows. The damsel has been saved, Slothrop is championed as a brave hero and his first thought is where in the fuck did that crab come from.
The exchange:
“Tantivy smiles and flips a small salute. “Good show!” cheers Teddy Bloat. “I wouldn’t have wanted to try that myself!”
“Why not? You had that crab. Saaay-where’d you get that crab?”
“Found it,” replies Bloat with a straight face. Slothrop stares at this bird but can’t get eye contact. What th’ fuck is going on?” (p. 187).
The damsel thanks Slothrop. Her ID bracelet identifies her as Katje Borgesius. Slothrop feels like he knows her and “...voices begin to take on a touch of metal, each word a hard-edged clap, and the light, though as bright as before, is less able to illuminate….it’s a Puritan reflex of seeking other orders behind the visible, also known as paranoia, filtering in…” (p. 188). How does Slothrop deal with this? By dividing up his present company into a dichotomy: the increasingly drunk Tantivy, “a messenger from Slothrop’s innocent, pre-octopus past” flirting with the girls and Bloat, “perfectly sober, mustache unruffled, regulation uniform [on the fucking beach!], watching [him] closely” (p. 188). And then there’s Katje, who, with her glance, makes Slothrop think she knows something (what?), asking him “Did you know all the time about the octopus? I thought so because it was so like a dance-all of you” (p. 188). Well, fuck me! Katje then tells “Little Tyrone” to be “very careful” and that “Perhaps, after all, we were meant to meet…” (p. 189). Now that’s a “meet cute” for ya!
Commentary/Questions

1. Is the casino fully owned and controlled by Them at this point (is César Flebótomo (Spanish for “sandfly”) a(n) (un)willing patsy in Their employ?). Is it the “lab” for this “phase” of the Slothrop experiment. Or is it just secured enough to ensure the results of the experiment aren’t tainted by some unforeseen variable/interference?
2. Teddy Bloat seems like a purposeful pun in reference to the bureaucracy of government/intel agencies
3. Tantivy Mucker-Maffick’s name is also filled with meaning
4. Songs are one way that Pynchon fills his book with “the language of the preterite”, a term from Weisenburger used to describe the “slang, underworld cant, songs, games, folk-genres, and material culture” used by Pynchon to pit “open, unsanctioned, and “low” languages” against the “closed, orthodox, privileged language of a culture”. This idea is expanded on by literary critic/philosopher Mikhail Bakhtin who notes that the “heteroglossic” aspect of novels allows them to be radical, open-ended artworks filled with a variety of voices that each embody a particular time and place (his term for this idea is a “chronotope”).
5. The whole episode is just soaked in paranoia, from beginning to end. Whatever Slothrop thought he thought he was feeling in Section 1 has been taken up a notch. He senses a plot but keeps playing along.
6. Is “Borgesius” a tribute to J.L. Borges?
7. “Little Tyrone” echoes “Baby Tyrone” from Jamf’s experiments and maybe is supposed to make us realize that while the antics in this episode could possibly be construed as a “loss” of Slothrop’s “innocence” that was actually taken from him as a baby.

Episode 23
Summary
Dr. Porkyevitch (“Porky the pig”?) and “Grisha” (“[frisking] happily in his special enclosure”) stare back at the “blazing bijou” of the Casino from their ship, contemplating their future now that they may no longer be of use to Pointsman, yearning for traces of the Russia they’ve been exiled from.
To the casino: Katje is a vision in shades of green and is escorted by a two-star general and a brigadier. Is it Pudding? RHIP :) Slothrop and Tantivy in the dining room. Slothrop raises the “The Ballad of Tantivy Mucker-Maffic” to get the room singing of his friend’s drunken exploits so that he can speak to Katje who uses the cacophony to invite him to her room after midnight!
Slothrop then probes his buddy to see if he notices anything funny going on. Tantivy brushes him off a bit (“there’s always, you know, an element of Slothropian paranoia to contend with…”(p. 192)) but then concedes that the bastard Bloat is receiving coded messages. Ha! And it turns out Bloat has become a bit of a different man over the last few years, something more than being “Blitz rattled”. He’s also warned Tantivy away from Katje (“I’d stay clear of that one if I were you” (p. 193)) and Tantivy feels used by Bloat (“being tolerated for as long as he can use me” (p. 193)). The encounter ends with Tantivy telling Slothrop to be careful and, should he need help, he’ll be there for him.
At midnight, Slothrop leaves for his rendezvous with Ms. Borgesius, “ascending flights of red-carpeted stairway (Welcome Mister Slothrop Welcome To Our Structure We Hope You Will Enjoy Your Visit Here)” (p. 194). Arriving, he teases her about her date at dinner and then about their slightly sinister “meet cute” while examining her closet which is absolutely filled to the brim with a variety of outfits. The “Too Soon To Know (Fox-Trot)” before they get down to it. As he is undressing her, he notices “...the moonlight only whitens her back, and there is a still a dark side, her ventral side, her face, than he can no longer see, a terrible beastlike change coming over muzzle and lower jaw, black pupils growing to cover the entire eye space till whites are gone and there’s only the red animal reflection when the light comes to strike no telling when the light-” (p. 196). Yikes! As they fuck, she wonders if his “careful technique” is for her or “wired into the Slothropian Run-together they briefed her on”. Either way, “she will move him, she will not be mounted by a plastic shell” (p. 196-197).
Then, a slapstick fight with a seltzer bottle (planted by Them?) that has Slothrop looking for a banana cream pie to toss (classic!) after which they fall asleep, lying like two Ss. In the morning, their post-coital bliss is interrupted as Little Tyrone is rudely awakened by the sound of someone robbing his pants in the room next door. He chases after the thief, first naked, then dressed in a purple satin bedsheet. As he’s chasing, from way down the hallway, “a tiny head appears around a corner, a tiny hand comes out and gives Slothrop the tiny finger” (p. 199). Haha! He chases the thief up a tree only to have the tree cut down while he’s in it. The thief escapes and Bloat and some general find Slothrop a mess.
Bloat takes Slothrop to his room where, “every stitch of clothing he owns is gone, including his Hawaiian shirt. What the fuck. Groaning, he rummages in the desk. Empty. Closets empty. Leave papers, ID, everything, taken… Hogan’s shirt bothers him most of all” (p. 201). Nobody knows where Tantivy’s gone off to. Bloat gives Slothrop a uniform (“a piece of Whitehall on the Riviera” (p. 201)) which doesn’t fit but the book advises, “Live wi’ the way it feels mate, you’ll be in it for a while” (p. 201). Slothrop ponders the meaning of the architecture and design of his surrounds, but “shortly, unpleasantly so, it will come to him that everything in this room [The Himmer-Spielsaal, no less] is being used from something different. Meaning things to Them it has never meant to us. Never. Two orders of being, looking identical….but, but….” (p. 202). THE WORLD OVER THERE. Against this realization Slothrop issues the only spell he knows, a defiant “Fuck You”. Walking, rainstorm, entertainment at the casino, no one has seen the dancing girls from the drunken breakfast, Slothrop is “finding only strangers where he looks” before freaking out in the casino, then getting wet in the rain, then returning to Katje, the only place he knew to come.
Commentary

1. I love “The Ballad of Tantivy Mucker-Maffic” and would like to write a similar tune about the inebriated shenanigans committed by my best friend and I during college.
2. The bit about Oxford and Harvard not really existing to educate was a nice touch (p. 193)
3. “Snazzy” is an “Americanism” in the 40s! (p. 195).
4. Slothrop ponders an impending loss of innocence (but, again, it seems like that has already happened). He has nothing and no one in a foreign country and the sensation that his life is being purposefully, possibly nefariously influenced by forces he can vaguely perceive. “It’s here that saturation hits him, it’s all this playing games, too much of it, too many games: the nasal, obsessive voice of a croupier he can’t see...is suddenly speaking out of the Forbidden Wing directly to him, and about what Slothrop has been playing against the invisible House, perhaps after all for his soul, all day - terrified, he turns, turns out into the rain again where the electric lights of the Casino, in full holocaust, are glaring off the glazed cobbles.” And then, “How did this all turn against him so fast? His friends old and new, every last bit of paper and clothing connecting him to what he’s been, have just, fucking, vanished. How can he meet this with any kind of grace?” (p. 205)
5. The word “holocaust” is used quite a bit in this story
6. Setting this all in the casino is a nice touch: there is the illusion of chance and luck in a casino but the house always wins.
7. The juxtaposition of the comic (seltzer fight) with the tragic (Slothrop alone, trying to understand what’s happening) heightens both effects.

Episode 24
Summary
They wake up with Katje calling slothrop a pig, which responds to by oinking. At breakfast, he is taking a refresher course in technical German and learning about The Rocket. His tutor, Sir Stephen Dodson-Truck (who speaks 33 languages!) aiding his understanding of German circuit schematics by way of ancient German runes. Slothrop understands immediately that Dodson-Truck is in on the plot but not sure how (“There are times when Slothrop can actually find a clutch mechanism between him and Their iron-cased engine far away up a power train whose shape and design he has to guess at, a clutch he can disengage, feeling then all his inertia of motion, his real helplessness… it is not exactly unpleasant, either. Odd thing. He is almost sure that whatever They want, it won’t mean risking his life, or even too much of his comfort. But he can’t fit any of it into a pattern, there’s no way to connect somebody like Dodson-Truck with somebody like Katje…. The real enemy’s somewhere back in that London anyways” (p. 207).
Back in the Himmler-Spielsaal: “in the twisted gilt playing-room his secret motions clarify for him, some. The odds They played here belonged to the past, the past only. Their odds were never probabilities, but frequencies already observed. It’s the past that makes demands here. It whispers, and reaches after, and sneering disagreeably, gooses its victims.
When they choose numbers, red, black, odd, even, what did They mean it? What Wheel did They set in motion?
Back in a room, early in Slothrop’s life, a room forbidden to him now, is something very bad. Something was done to him and it may be that Katje knows what. Hasn’t he, in her “futureless look,” found some link to his own past, something that connects them closely as lovers?” (p. 208-209). “It is a curve each of them feels, unmistakably. It is the parabola.”
No more news from London or Achtung. Bloat is gone now, too. Sir Stephen and Katje with their identical Corporate Smiles to dazzle him while they rob his identity. But! “He lets it happen” (p. 210).
Slothrop is getting hardons after his rocket study sessions and then goes looking for relief with Katje. Sir Stephen appears to be timing these erections! So, Slothrop gets the smart idea to get him drunk via a drinking game and many, many people end up getting sloshed on some high class bubbly. Half the room is singing the “Vulgar Song”. Slothrop and Sir Steve get pretty hammered and start walking through a nice sunset, where Slothrop sees robed figures, hundreds of miles tall, on the horizon. Sir Stephen informs Slothrop that he’s got “potency issues” (which makes him the perfect observer for Slothrop’s sexual misadventures… “no nasty jissom getting all over their reports, you know” (p. 216)). He’s about to tell Slothrop the secret of “The Penis He Thought Was His Own”...
...but then starts waxing nostalgic about Sir Stephen’s son and his wife, Nora and her “Ideology of the Zero”. An interlude with Eventyr, Sachsa, Leni… “but where will Leni be now? Either we didn’t mean to lose her - either it was an ellipsis in our care, in what some of us even swear is our love, or someone has taken her, deliberately, for reasons being kept secret, and Sachsa’s death is part of it too” (p. 218). More on Sachsa’s death.
Then, Sir Stephen vanishes (“but not before telling Slothrop that his erections of high interest to Fitzmaurice House”). Katje is pissed that Slothy got Sir Steve drunk enough to dish on the plot. They fight and then fuck. More rocket study sessions. The rocket taking off looks like a peacock, def pfau. Slothrop pressing for more information, Katje rebuffing, warning/advising“Oh, Slothrop… You don’t want me. What they’re after may, but you don’t. No more than A4 wants London. But I don’t think they know...about other selves...yours or the Rocket’s. No more than you do. If you can’t understand it now, at least remember. That’s all I can do for you” (p. 224).
Then, “They go back up to her room again: cock, cunt, the Monday rain at the windows” (p. 224) (Oh, Tom, you romantic!). And finally, a bit of kazoo music, a final night together, and Katje disappears, too.
Commentary

1. Slothrop makes an important connection to his childhood and wonders if Katje knows about it/whether she’s with him because of it (ol’ Pynch even manages to work in the rocket, too!): “You were in London while they were coming down. I was in ‘s Gravenhage while they were going up. Between you and me is not only a rocket trajectory but also a life. You will come to understand that between the two points, in the five minutes, it lives an entire life. You haven’t even learned the data on our side of the flight profile, the visible or trackable. Beyond them there’s so much more, so much none of us know” (p. 209).
2. More on the import of setting the action in the Casino: “The Forbidden Wing. Oh, the hand of a terrible croupier is that touch on the sleeves of his dreams: all his life of what has looked free or random, is discovered to’ve been under some Control, all the time, the same as a fixed roulette wheel-where only destinations are important, attention is to long-term statistics, not individuals: and where the House does, of course, keep turning a profit…” (p. 209).
3. A beautiful passage: “‘Holy shit.” This is the kind of sunset you hardly see any more, a 19th-century wilderness sunset...this anachronism in primal red, in yellow purer than can be found anywhere today, a purity begging to be polluted...of course Empire took its way westward, what other way was there but into those virgin sunsets to penetrate and to foul” (p. 214). Always dualities in this book.
4. “A pornography of blueprints” (p. 224). is a nice turn of phrase.
5. Foreshadowing: “She has her hair combed high today in a pompadour, her fair eyebrows, plucked to wings, darkened, eyes rimmed in black, only the outboard few lashes missed and left blond.
6. Connection to Nabokov: I really do think “Signs and Symbols” influenced this novel. Lines like this, “Here it is again, that identical-looking Other World - is he gonna have this to worry about, now? What th’ - lookit these trees - each long frond hanging, stuny, dizzying, in laborious dry point against the sky, each so perfectly placed…” (p. 225) remind me so much of the atmosphere in the story (itself about paranoia (“referential mania”)). This is a key excerpt from the Nabokov ditty: “In these very rare cases the patient imagines that everything happening around him is a veiled reference to his personality and existence. He excludes real people from the conspiracy - because he considers himself to be so much more intelligent than other men. Phenomenal nature shadows him wherever he goes. Clouds in the staring sky transmit to one another, by means of slow signs, incredibly detailed information regarding him. His inmost thoughts are discussed at nightfall, in manual alphabet, by darkly gesticulating trees. Pebbles or stains or sun flecks form patterns representing in some awful way messages which he must intercept. Everything is a cipher and of everything he is the theme.” Obviously this guy is, uh, slightly more clinical, but I still think the atmosphere/tone is similar between the two.

Episode 25
Summary
We begin this episode with a Pavlov lecture about the physiological symptoms of hysteria and one of Pointsman’s poems (which he never shows to anyone). Then to the “White Visitation” chaps (Pointsman, Grunton, Throwster, Groast) rumor-mongering about their future. Things are looking bleak. Pudding might cut off funding, “Slothrop’s knocked out Dodson-Truck and the girl in one day” (p. 227), and Sir Steven’s got the P.M.’s son-in-law making embarrassing inquiries. But Pointsman is calm. Very calm. In fact, “[b]y facing squarely the extinction of his program, he has gained a great bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of individual men. Oh, and women too, of course, bless their empty little heads. But survival depends on having strong enough desires - on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman activities - they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter” (p. 230). And then we find out that Pointman’s figured out how to play Pudding to keep his support (more on that in a bit…) as he’s figured out Treacle, Groast, and Throwster, how to use them and manipulate them to get what he wants. What a fucking devious guy!
Webley Silvernail sticks around after the meeting and imagines the lab animals putting on a beguine performance of a song called “Pavlovia” (right after this realization by Silvernail: “From overhead, from a German camera-angle, it occurs to Webley Silvernail, this lab here is also a maze...but who watches from above, who notes their reponses?” (p. 229)). And it’s all song and dance for a bit but since it’s Pynchon, it’s followed by an incredible poignant/tragic moment of clarity: “They have had their moment of freedom. Webley has only been a guest start. Now it’s back to the cages and the rationalized forms of death-death in the service of the one species cursed with the knowledge that it will die…. “I would set you free, if I knew how. But it isn’t free out here. All the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few, who are the loudest to theorize on freedom, but the least free of all. I can’t even give you hope that it will be different someday - that They’ll come out, and forget death, and lose Their technology’s elaborate terror, and stop using every other form of life without mercy to keep what haunts men down to a tolerable level - and be like you instead, simply here, simply alive….” The guest star retires down the corridors” (p. 230). What a soliloquy. [Tangent: almost 50 years later, how prescient is this passage?! This little monologue filled me with so many conflicting emotions: hope (because humans like Pynchon exist to dream this stuff up) and also dread because this paragraph describes a fundamental aspect and egregious flaw (or flaws) in human nature. Reading and re-reading this passage depresses me a little (hence my question about mental health below).
Now Pudding is sneaking about the bowels of “The White Visitation”. He heads past the cells of loonies on his way to a secret rendezvous. It seems like Pointsman may have drugged him at some point to get at hidden desires. We watch as our dear old Brigadier putters from room-to-room, finding items left for him by Pointsman that mock him and describe his descent into a personal hell (for info on the symbolism, the Weisenburger book is quite helpful).
In the final room, Pudding drops to his knees at the feet of his Domina Nocturna (with “her blond hair...tucked and pinned beneath a thick black wig”... “naked except for a long sable cape and black boots with court heels” (p. 233)). Pudding is thinking of the night they first met. He saw “her” “...through the periscope, underneath a star shell that hung in the sky, he saw her….and though he was hidden, she saw Pudding. Her face was pale, she was dressed all in black, she stood in No-man’s Land, the machine guns raked their patterns all around her, but she needed no protection. “They knew you, Mistress. They were your own.
And so were you” (p. 233).
And then he offers her a “nice” memory of a legion of Franco’s troops killing and getting killed at a massacre at Badajoz for which he is “rewarded” with her beating and then pissing and shitting in his mouth… … … …
However off-putting this may be for some (most), it does something for Pudding. He needs pain. “They have stuffed paper illusions and military euphemisms between him and this truth, this rare decency, this moment at her scrupulous feet….no it’s not guilt here, not so much as amazement - that he could have listened to so many years of ministers, scientists, doctors each with his specialized lies to tell, when she was here all the time, sure in her ownership of his failing body, his true body: undisguised by uniform, uncluttered by drugs to keep from him her communiqués of vertigo, nausea and pain. Above all, pain. The clearest poetry, the endearment of greatest worth…” (p. 234-235).
Munching down on a hot turd makes Pudding think of the horrible smells of his service during WWI: putrid mud, rot, death, “...the sovereign smell of their first meeting, and her emblem” (p. 235). After eating her shit, he jerks off (his release), in a style that Domina Nocturna has learned from watching Captain Blicero and Gottfriend (at this point, it is safe to say, Domina Nocturna is Katje. Will we ever be able to look at her the same?).
Pudding is then dismissed to “...a late-night cup of broth, routine papers to sign, a dose of penicillin that Pointsman has ordered him to take, to combat the effects of E. Coli” (p. 236). So thoughtful, that Pointsman...
Commentary

1. The Silvernail hallucination/phantasmagoria seems like something straight out of “The Big Lebowski” had Jodorowsky had a bit of influence over the Coen Bros. art direction. Many of the songs in this section feel “Lebowski-esque” but this one especially so to me. Maybe its the detailed choreographic notes: “They dance in flowing skeins. The rats and mice form circles, curl their tails in and out to make chrysanthemum and sunburst patterns, eventually all form into the shape of a single giant mouse, at whole eye Silvernail poses with a smile” (p. 230).
2. The Franco bit is a nice way of linking facism and death worship
3. Pudding eating Domina Nocturna’s shit really, to quote an earlier passage, gave “de wrinkles in mah brain a process!”. There is so much symbolism there! Instead of ascending to heaven, Pudding heads down to hell. We have so many dualities linked in the act: between young and old, sacred and profane, pleasure and pain, pleasure through pain, WWI and WW2, man and woman, life and death, the general as a slave, even the food transformed through Katje into waste, all linked through the act of eating shit. For a moment they are linked so intimately, so delicately. No parabolas, a circle. And, of course, there’s also the diabolical Pointsman in the background, pulling the strings and manipulating to keep Pudding in line. I remember reading this for the first time and just being shocked and confused and now reading it again and finding so much meaning. That ol’ Pynchon is a devious bastard, hiding such loaded symbolism in such an obscene encounter. The Pulitzer committee had no idea what was coming for them!

So, if you’ve reached this point, congratulations and I am sorry! Here are my discussion questions. Looking forward to future posts!
Discussion Questions Both On Topic and Tangential

1. Why is paranoia described as a “Puritan reflex” in Episode 22?
2. In Episode 23, as Slothrop peruses Katje’s extensive wardrobe, what is the significance of the line, “Aha! wait a minute, the operational scent in here is carbon tet, Jackson, and this wardrobe here’s mostly props” (p. 195)?
3. In Episode 24, what’s the significance of “the watchmen of world’s edge”? Is this an intrusion of the spirit world? Is Slothrop just hallucinating?
4. In Episode 24, when Peter Sachsa gets the blow to the temple from Schutzmann Jöche, why is his last thought, “How beautiful!” (p. 220)
5. In Episode 25, there’s a line in the part where Pudding is sneaking around: “A voice from some cell too distant for us to locate intones:...” (p. 231). Why us here? Why the change in perspective?
6. How’s this book affecting everyone’s mental health (you know, given that we’re in the end times right now)? Seriously, though, there are times when this book makes me so happy to be alive and proud of humanity and also times where it depresses the everloving shit out of me and makes me think that, as a species, we’re doomed to continue making the same mistakes, over and over again, until we end up destroying ourselves.
7. In a similar vein, do you think people as prodigiously talented and brilliant as Pynchon have any responsibility to counter the evil they see in the world? Is writing books enough or should they do more (lead, teach, etc.) to fight against the awful things they are able to see before the rest of us do?

Resources

• GR Wiki & Annotations - here
• Some Things That “Happen” (More or less) in “Gravity’s Rainbow” - here
• Larry Daw’s reading notes - here
• Weisenberger’s Book at the Internet Archive - here; Zak Smith’s book - here (gotta “rent”/ “borrow” both).
• Notes from a class on GR at Swathmore College - here
• How Pynchon Avoids Cultural Appropriation - here
• “History & Fiction: The Narrative Voices of Pynchon’s “Gravity’s Rainbow” (2004) by Paul A. Bové
• “A Supernatural History of Destruction; or, Thomas Pynchon’s Berlin” (2010) by Eric Bulson